Dingledine Cemetery

When my parents moved to St. Peters, Missouri from El Paso, Texas in 1981 due to my dad getting a job in St. Louis, they encountered some unusual names they had never heard before. Perhaps one that my mom found the most humorous from a phonological standpoint is the name “Dingledine.” The local family of German descent settled on a farm near Harvester and their name is enshrined in the local road and the family cemetery. I am including photos that I have taken at the cemetery. Some might wonder why I have not put all my cemetery photos on Find-A-Grave, but I am not sure how doing that promotes historical and genealogical research at the St. Charles County Historical Society, which was my original goal for documenting headstones in the county. Others may do this differently than how I will do it below (there’s no right or wrong way to do it), but I might as well put together some listings like this to show what is available online and what is available at SCCHS. With a small cemetery such as this, it should not be too difficult to do a deep dive on each individual. A larger cemetery, obviously, would take more time to do a detailed listing of online resources. The idea is to use the cemetery data as a gateway to find information that is helpful for historical and genealogical researchers. Below is a list of burials in Dingledine Cemetery with additional information.

Dingledine Road

St. Charles, Missouri

III:  2 – Adam Dingledine Cemetery – visited by Lucille Wiechens in 1987

Mary Johnson McElhiney, Gone But Not Forgotten, 63

Located on Dingledine Road in St. Charles, near Towers Rd – southeast of Harvester – 13 stones and 1 grave with no marker – the unmarked grave is in a location that would suggest that it is a Heisel infant. The 1900 U.S. Census supports this hypothesis.

Visited by Justin Watkins and Lucille Wiechens, 3 March 2011

Lucille took notes and pictures and I also took notes, but no pictures

Justin Watkins revisited and photographed the cemetery, 17 August 2017 and 24 March 2026; for more information on the cemetery see SCCHS File 900.0003.053; the purchase of the farm appears in Deed Book I-J, p. 256; the cemetery is part of Horseshoe Creek Subdivision, Plat Three, as seen in Plat Book 36, p. 165; note that the cemetery had grass growing in it in 2017, but by 2026 the grass had been replaced by rocks; also note that the fence was replaced between 2017 and 2026; also new is a phone number to contact for information concerning Dingledine Family Cemetery; Dingledine Family Cemetery – St. Charles, Missouri – Worldwide Cemeteries on Waymarking.com; Dingledine Family Cemetery in Saint Charles, Missouri – Find a Grave Cemetery

The Dingledine family were members of St. John United Church of Christ in St. Charles, Missouri. At least one was a member of Zion Lutheran Church in Harvester, Missouri. The Heisel family were members of St. John United Church of Christ in Cottleville. Some of the individuals’ names can also be found in the D binder of the Baue Funeral Records at the St. Charles County Historical Society. SCCHS also has a burial index for St. John UCC, St. Charles. See also the Dingledine Family File (Family File 223) at SCCHS.

One grave with no tombstone:

The above picture is in the section where the Heisel family is buried.

Dingeldein, Adam, 20 Jan 1798 – 4 Feb 1861; w/Anna; Johann Adam Dingeldein (1798-1861) – Find a Grave Memorial; Naturalization Record D31 at SCCHS; 1860 US Census, Dingledine – GenealogyBank; Missouri, U.S., Naturalizations, 1802-1956 – Ancestry.com; Germany, Select Births and Baptisms, 1558-1898 – Ancestry.com; 1850 United States Federal Census – Ancestry.com

Dingeldein, Anna Catharina Krichbaum, 20 Nov 1807 – 31 Oct 1892; “nee Kirchbaum” per Wiechens; w/Adam; Anna Catharina Krichbaum Dingeldein (1807-1892) – Find a Grave Memorial; Germany, Select Births and Baptisms, 1558-1898 – Ancestry.com; 1870 United States Federal Census – Ancestry.com; 1880 United States Federal Census – Ancestry.com

Dingledine, Adeline Arras, 23 Feb 1880 – 3 Mar 1971; w/John W; Adeline Arras Dingledine (1880-1971) – Find a Grave Memorial; 1971_00007446.PDF; Obit: St. Louis Post-Dispatch, 4 March 1971 (in SCCHS binders D, p. 169); Mar 04, 1971, page 37 – St. Louis Post-Dispatch at Newspapers.com™; Mar 05, 1971, page 20 – St. Louis Post-Dispatch at Newspapers.com™; 1910 U. S. Census: Dingledine – GenealogyBank; 1920 U.S. Census: Dingledine – GenealogyBank; 1950 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1930 United States Federal Census – Ancestry.com; 1880 United States Federal Census – Ancestry.com; 1900 United States Federal Census – Ancestry.com

Dingledine, Emily Caroline Floyd, 22 Feb 1880 – 3 Oct 1906; w/o A E; 26y, 7m, 11d; Emily Caroline Floyd Dingledine (1880-1906) – Find a Grave Memorial; Oct 10, 1906, page 1 – St. Charles Weekly Cosmos-Monitor at Newspapers.com™; 1900 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com

Dingledine, Gale Len, 19 Jan 1957 – 9 Jul 2019 – last lived in Union, MO; Missouri, U.S., Birth Registers, 1847-2003 – Ancestry.com; Nov 13, 1974, page 12 – St. Clair Chronicle at Newspapers.com™ – Newspapers.com™

Dingledine, George, 5 Feb 1838 – 18 May 1909 per Wiechens III: 2; MJM: d. 16 May 1909; it appears that MJM was correct based on the tombstone photo; w/Mary; for estate see SCCHS File 316.011.040; George Dingledine (1838-1909) – Find a Grave Memorial; Obit: St. Charles Banner-News, 20 May 1909; SCCHS Probate File 5026; 1850 United States Federal Census – Ancestry.com; 1860 United States Federal Census – Ancestry.com; U.S., Civil War Draft Registrations Records, 1863-1865 – Ancestry.com; 1870 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1880 United States Federal Census – Ancestry.com; 1900 United States Federal Census – Ancestry.com

Dingledine, George Adam, 27 Feb 1867 – 1 Jan 1936, 68y, 10m, 4d; w/Minnie; George Adam Dingledine (1867–1936); George A Dingledine (1867-1936) – Find a Grave Memorial; 1936_00002861.PDF; Jan 02, 1936, page 6 – St. Charles Weekly Banner-News at Newspapers.com™; Jan 08, 1936, page 4 – St. Charles Weekly Cosmos-Monitor at Newspapers.com™; 1870 United States Federal Census – Ancestry.com; 1880 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1900 United States Federal Census – Ancestry.com; 1910 United States Federal Census – Ancestry.com; 1920 United States Federal Census – Ancestry.com; 1930 United States Federal Census – Ancestry.com

Dingledine, George Marvin, 24 Nov 1900 – 2 Mar 1980 (t/s: 1900 – 1980); bur. 5 Mar 1980; w/Kathryne; George M Dingledine (1900-1980) – Find a Grave Memorial; Obits: St. Charles Journal, 5 March 1980 (SCCGS Binders 1979-1980, p. 37); St. Charles Post, 4 March 1980 (SCCHS Binders D, p. 169; SCCGS Binders 1979-1983, p. 5); Mar 04, 1980, page 50 – St. Louis Post-Dispatch at Newspapers.com™; Geneanet Community Trees Index – Ancestry.com; 1910 United States Federal Census – Ancestry.com; 1920 United States Federal Census – Ancestry.com; Jun 25, 1920, page 22 – The St. Louis Star and Times at Newspapers.com™ – Newspapers.com™; 1930 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1940 United States Federal Census – Ancestry.com; U.S., World War II Draft Cards Young Men, 1940-1947 – Ancestry.com; 1950 United States Federal Census – Ancestry.com;

Dingledine, George William, 11 Nov 1955 – 18 Nov 1986; s/o Gordon & Helen; George W Dingledine (1955-1986) – Find a Grave Memorial; Dec 03, 1986, page 96 – Washington Missourian at Newspapers.com™

Dingledine, Gordon W., 22 Feb 1908 – 30 Aug 1965; Gordon Washington Dingledine (1908-1965) – Find a Grave Memorial; 1965_00037044.PDF; Obit: Sep 02, 1965, page 1 – The Wentzville Union at Newspapers.com™; U.S., World War II Draft Cards Young Men, 1940-1947 – Ancestry.com; 1910 United States Federal Census – Ancestry.com; 1920 United States Federal Census – Ancestry.com; 1930 United States Federal Census – Ancestry.com; 1940 United States Federal Census – Ancestry.com; 1950 United States Federal Census – Ancestry.com; U.S., City Directories, 1822-1995 – Ancestry.com

Dingledine, J. Leigh on t/s; Jeanne Lee on d/c (not in Wiechens list), 15 Jun 1975 – 18 Jun 1975; J. Leigh Dingledine (1975-1975) – Find a Grave Memorial; 1975_00303078.PDF

Dingledine, John Gordon, 30 May 1947 – 18 Mar 1986; s/o Gordon & Helen; John Gordon Dingledine (1947-1986) – Find a Grave Memorial; listed as John H. Dingledine in obit, St. Charles Post, 19 March 1986 (SCCHS Binders H, p. 170; SCCGS Binders 1986, p. 47); Mar 19, 1986, page 161 – St. Louis Post-Dispatch at Newspapers.com™; Mar 26, 1986, page 11 – Washington Missourian at Newspapers.com™ – Newspapers.com™; U.S., Social Security Applications and Claims Index, 1936-2007 – Ancestry.com; U.S., Department of Veterans Affairs BIRLS Death File, 1850-2020 – Ancestry.com; U.S., Social Security Death Index, 1935-2014 – Ancestry.com

Dingledine, John William, 7 Aug 1877 – 26 Mar 1926; w/Adeline; John W Dingledine (1877-1926) – Find a Grave Memorial; 1926_00010140.PDF; Apr 01, 1926, page 4 – St. Charles Weekly Banner-News at Newspapers.com™ – Newspapers.com™; Apr 01, 1926, page 3 – St. Charles Weekly Banner-News at Newspapers.com™; U.S., World War I Draft Registration Cards, 1917-1918 – Ancestry.com; 1880 United States Federal Census – Ancestry.com; 1900 United States Federal Census – Ancestry.com; 1910 United States Federal Census – Ancestry.com; 1920 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com

Dingledine, Kathryne Shields, 27 Jan 1910 – 20 Aug 1995 (t/s: 1910 – 1995); w/George M; Kathryne Shields Dingledine (1910-1995) – Find a Grave Memorial; Obits: St. Charles Journal, 23 August 1995 (SCCHS Binders D, p. 170), St. Louis Post-Dispatch, 22 August 1995; Aug 22, 1995, page 47 – St. Louis Post-Dispatch at Newspapers.com™; K. Dingledine – GenealogyBank; 1910 United States Federal Census – Ancestry.com; 1920 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1940 United States Federal Census – Ancestry.com; 1950 United States Federal Census – Ancestry.com; U.S., Social Security Applications and Claims Index, 1936-2007 – Ancestry.com; U.S., Social Security Death Index, 1935-2014 – Ancestry.com

Dingledine, Laura H. E., 3 Aug 1903 – 10 Aug 1903; Laura H. E. Dingledine (1903-1903) – Find a Grave Memorial

Dingledine, Mary (Maria Stephans Dingledine in St. John UCC burial records), 14 Apr 1845 (1900 Census: Apr 1846) – 7 Jul 1905; w/George; Mary Stephens Dingledine (1845-1905) – Find a Grave Memorial; Obits: St. Charles Cosmos-Monitor, 12 July 1905; St. Charles Demokrat, 13 July 1905 (SCCGS 1905-1916, p. 528); Jul 12, 1905, page 1 – St. Charles Weekly Cosmos-Monitor at Newspapers.com™; Jul 12, 1905, page 4 – St. Charles Weekly Cosmos-Monitor at Newspapers.com™; 1850 United States Federal Census – Ancestry.com; 1860 United States Federal Census – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1870 United States Federal Census – Ancestry.com; 1880 United States Federal Census – Ancestry.com; 1900 United States Federal Census – Ancestry.com (b. Apr 1846)

Dingledine, Minnie (Wilhelmine in St. John UCC burial records) M. Nesslage, 7 Dec 1871 – 14 Jan 1940; age 68y, 1m, 7d; w/ George A; Minnie M Nesslage Dingledine (1871-1940) – Find a Grave Memorial; 1940_00003574.PDF; Jan 17, 1940, page 4 – St. Charles Weekly Cosmos-Monitor at Newspapers.com™; Jan 18, 1940, page 3 – St. Charles Weekly Banner-News at Newspapers.com™; Jan 16, 1936, page 2 – St. Charles Weekly Banner-News at Newspapers.com™ – Newspapers.com™; U.S., City Directories, 1822-1995 – Ancestry.com; 1880 United States Federal Census – Ancestry.com; U.S., Social Security Applications and Claims Index, 1936-2007 – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1900 United States Federal Census – Ancestry.com; 1910 United States Federal Census – Ancestry.com; 1920 United States Federal Census – Ancestry.com; 1930 United States Federal Census – Ancestry.com;

Heisel, Elizabeth, 21 Dec 1840 – 2 Jun 1915; MOTHER; w/John; Elizabeth Dingledine Heisel (1840-1915) – Find a Grave Memorial; 1915_00020082.PDF; Funeral notice: Jun 10, 1915, page 5 – St. Charles Weekly Banner-News at Newspapers.com™ – Newspapers.com™; Missouri, U.S., Compiled Marriages, 1851-1900 – Ancestry.com; 1850 United States Federal Census – Ancestry.com; 1860 United States Federal Census – Ancestry.com; 1880 United States Federal Census – Ancestry.com; 1900 United States Federal Census – Ancestry.com (mother of 3 children, with 1 living); 1910 United States Federal Census – Ancestry.com (mother of 3 children, 1 living)

Heisel, George A., d. 26 Oct 1879; age 11y, 1m, 7d; s/o J & L; George A Heisel (1828-1829) – Find a Grave Memorial

Heisel, John, 27 Feb 1840 – 2 Jul 1914; FATHER; w/Elizabeth; Some family members are buried at St. John’s UCC Cemetery in Cottleville; John Heisel (1840-1914) – Find a Grave Memorial; 1914_00023811.PDF; Obits: John Heiseler, Jul 09, 1914, page 7 – St. Charles Weekly Banner-News at Newspapers.com™; John Heisler in Jul 10, 1914, page 1 – The Wentzville Union at Newspapers.com™ – Newspapers.com™; Jan 08, 1914, page 7 – St. Charles Weekly Banner-News at Newspapers.com™; Jan 28, 1914, page 2 – St. Charles Weekly Cosmos-Monitor at Newspapers.com™; Feb 05, 1914, page 8 – St. Charles Weekly Banner-News at Newspapers.com™; Jul 09, 1914, page 5 – St. Charles Weekly Banner-News at Newspapers.com™; U.S., Civil War Draft Registrations Records, 1863-1865 – Ancestry.com; Missouri, U.S., Marriage Records, 1805-2002 – Ancestry.com; 1860 United States Federal Census – Ancestry.com; 1880 United States Federal Census – Ancestry.com; 1900 United States Federal Census – Ancestry.com; 1910 United States Federal Census – Ancestry.com

A Great Article about local Black History

I have been doing some research on the history of St. Charles Borromeo Cemetery in St. Charles, Missouri recently. One of the prominent burials at the original cemetery location was that of Jean Baptiste Pointe du Sable, the founder of Chicago, Illinois. While I could write about how he came to St. Charles, I cannot do any better than the research already done by Cleta Flynn. This is Flynn at her best: 4. Jean Baptiste DuSable, Founder of Chicago…New Pieces to the Old St. Charles Puzzle – St. Charles, Missouri, History through My Eyes

Du Sable is just one of many characters that figure in the history of African Americans in St. Charles County, Missouri.

The Daniel Boone Chorus in the 1970s

The singing in fledgling barbershop chapters is not always the best, but there is a fun camaraderie that can be formed in singing together. In 1970, the Daniel Boone Chorus marked its seventh anniversary. The chapter experienced some ups and downs in the 1970s but survived the decade in preparation for what lay ahead next.

              Jerry Coen served a second term as board president in 1970.[1]  Junior Fisher was Administrative Vice-President, Larry Groeblinghoff was Program Vice-President, Don Clark was Secretary, Bill Morton was treasurer, Larry White was Bulletin Editor, Bob Henry was in charge of Public Relations, and Roy Seigler (1927-1997) served as the chapter contact.  Coen, Fisher, Groeblinghoff, and Henry attended the Chapter Officers Training School in Lincoln, Nebraska, on 17-18 January 1970. [2]  5-11 April was Barbershop Harmony Week, again by proclamation of Mayor Henry C. Vogt (1903-1992) of St. Charles.[3]  Jerry Coen gave a gushing report to the chorus over the June show.  He singled out Dave Moorlag for promoting the location of the show as the St. Charles Cinema and Woody Ashlock, who wrote the show, was M.C., helped with scenery, painted most of it, put an act in the show, and directed the show.[4]  The show was presented on 11 June 1970.[5]  On 29 July, the chapter hosted “St. Charles Style Jamboree” at the new Knights of Columbus Hall at 3 Westbury Drive in St. Charles.[6]  The “non-fishing trip” continued as an annual Labor Day event.[7]  The chorus posted a second-place finish at the St. Louis Area Barbershop Chorus Contest in 1970.[8]  However, they finished first in the Small Chorus Competition at the Central States District in Davenport, Iowa later that year.[9]  The chorus received a trophy for being the best chorus with less than thirty men.[10]  The chorus finished tenth overall at that competition, which was held on 17 October.[11]  The chapter allowed the St. Charles Sweet Adeline Chapter to borrow sets and props for their show.[12]  The chorus participated in the 22nd Annual Parade of Harmony, presented by St. Louis No. 1 Chapter, Saturday, 7 November 1970 at 8 p.m. at the Kiel Opera House in St. Louis.[13]  The St. Charles Chapter held a coon hunt on 13 November 1970 in St. Paul, Missouri.[14]  The Daniel Boone Chorus won the Christmas Caroling Contest, held from Thanksgiving to Christmas.  Four singing groups entered the contest, “singing on separate evenings.”  Capt. George Overly of the Salvation Army presented a plaque to Board President Jerry Coen.[15]

              In January 1971, new chapter officers were selected by the chapter members.  The new officers were installed at the Mother-in-Law House in St. Charles.[16]  William Earl “Bill” Morton (1930-1991) was president, Donald Ray “Don” Spiegel (1929-2003) was vice-president of administration, Ralph Joseph Fisher (1927-1988) was vice-president of programming, Col. Kenneth Arthur “Ken” Schroer (1939-2015) was secretary, Bert Volker was treasurer, Gerald Mohr was bulletin editor, Robert Elwin “Bob” Henry (1936-1980) was District Area Counselor, and Howard Vane “H. V.” Jacobs (1935-2003) was in charge of the chapter’s public relations.[17]  A picture of the chapter leadership was taken in front of the Nebraska Center for Continuing Education in Lincoln, Nebraska, where they attended to COTS.[18]  Some pictures of a 1971 board meeting are in the Daniel Boone Chorus, 1970-1971, binder in the chorus’ archives.  Newcomer Robert “Bob” Hall oversaw uniforms.[19]  Bill Morton, prior to becoming Chapter President, was Chapter Secretary and Treasurer in 1969 and 1970.  He developed a bookkeeping and record maintenance system for the chapter board.  He was the first chapter president to bring the chapter in debt.  The debt was accrued from the purchase of a professional sound system.  Morton used his basement to store chapter equipment.  He was Co-Chairman of Registration for the 1969 International Barbershop Convention in St. Louis and served as Treasurer of the St. Louis Area Barbershop Council in 1972 and 1973.  He was known for having an analytical mind and keen eye for organization.  He worked as a production planner for McDonnell Douglas.[20]  The chorus performed at the O’Fallon Sweet Adelines Guest Night on Monday, 13 February 1971 at 7:30 p.m. at St. Dominic High School in O’Fallon.[21]  The Daniel Boone Chorus launched Operation HARMONY (Hope And Rehabilitation Means One of us Needs You) in 1971 to help a thirty-four-year-old man who had recently had surgery to remove a brain tumor.  The family could not afford bills, so the chorus decided they would raise money to help.[22]  The 1st Annual Barbershop Show-Dance presented by the St. Charles Barbershop Choirs and Quartets was at the Community Club Building in Wentzville, MO, at 8 p.m. on Saturday, 20 March.[23]  It was for the Optimists Club of Wentzville.[24]  The chorus was hosted by the Mark Twain Merchants Association.  “The best little chapter in the Central States District” performed at the Mark Twain Shopping Center during Barbershop Harmony Week (11-17 April) in 1971.[25]  In May, the chorus performed for Our Lady of the Presentation Church of St. John, Missouri.[26]  Mutual Funs, a quartet consisting of members of the St. Charles Chapter (Bob Henry and Bert Volker), and members of the St. Louis Chapter (John Jewell and Ron Grooters) performed in “The Music Man” at the St. Louis Muny from 26 July to 1 August 1971.[27]

The chorus sponsored a float in the Missouri Sesquicentennial Parade of 1971.  This is the only photo of the Daniel Boone Chorus in the possession of the St. Charles County Historical Society.[28]  The St. Louis Area Barbershop Contest was held at Webster Junior High School in Collinsville, Illinois, on 11 September 1971.[29]  The Daniel Boone Chorus finished thirteenth in the Central States District Chorus Competition at Wichita, Kansas, on 2 October.[30]  Gordon Manion turned over the reins of directorship to Carl Daniel in October 1971.[31]  The chorus announced a new director in December 1971.  Donald Joe “Don” Nevins (1942-2003) taught music at Central Junior High School in the Riverview Gardens School District and previously had directed the Alton (IL) Barbershop Chorus, the St. Louis Archway Chorus, and the Overland Sweet Adelines Chorus.  His quartet experience included the Boot N Aires of Bloomington, Illinois, and the Hartsmen of Illinois.  He won the St. Louis District Metropolitan Opera Auditions in 1969 and 1971, performed with the Mississippi Valley Opera Company, and sang at the First Church of Christian Science of St. Louis and the Temple Shaare Emeth in St. Louis.  At the time, Nevins became director of the Daniel Boone Chorus, the St. Charles Chapter boasted fifty members and was rehearsing on Wednesday nights at St. John’s United Church of Christ’s Church Hall at Fifth and Jackson streets in St. Charles.[32]

              From 1972 to 1973, Ken Schroer was St. Charles Chapter Board President.  Kenneth Arthur Schroer was born on 2 December 1939 in St. Louis to Arthur John and Mabel (McGahan) Schroer.  He was a colonel in the United States Air Force.[33]  He formed a bylaws committee to establish a firm set of guidelines for future chapter boards.  He served as board secretary, on the public relations committee, was a St. Louis Area Councilor in 1974, and was the Central States District Chairman for International Hospitality in 1974 and 1975.  He served on the CSD Long Range Planning Committee and was CSD President in 1978.[34]  On 19 February 1972, the St. Charles Chapter of S.P.E.B.S.Q.S.A. hosted “An Evening of Barbershop” at the Kiel Opera House at 8 p.m.  The show featured the six-time Central States District Champion, the Pony Expressmen Chorus of St. Joseph, Missouri; the four-time St. Louis Area Champion, the St. Louis Suburban Chorus; Central States District Small Chorus Champion, the Daniel Boone Chorus; 1971 Central States District Quartet Champion, the Mid-Continentals; 1971 Central States District medalists, the Men of a Chord; and the Key Pickers.[35]  On 1 March 1972, the chorus held a guest night.[36]  The chorus performed far and wide in the community, including bi-monthly at the Emmaus Home in St. Charles.  At Christmastime, the chorus would go caroling.[37]  In June 1972, chorus members pitched in to paint the newly opened St. Charles Youth Center.[38]  The Daniel Boone Chorus was involved in the Festival of the Little Hills beginning in August 1972.[39]  This eventually became an annual affair in which they gave back to the local community by serving up music, food, and beer at the Festival of the Little Hills.[40]  The chorus co-sponsored, with the St. Charles County Sheriff’s Rescue Squad, a beer garden along the riverfront on property recently purchased by the City of St. Charles for a riverfront park.[41]  The chorus maintained its presence at the festival until 2002. The following month, the chorus performed at the Civic Park Pavilion.[42]  During the weekend of 6-8 October 1972, the chorus (now boasting 54 members) finished in tenth place at the Central States District Chorus Contest in Des Moines, Iowa.[43]  On 11 November 1972, the Daniel Boone Chorus performed for the Joseph L. Mudd Parent-Teacher Club at the J. L. Mudd School in O’Fallon, Missouri.[44]  On 29 November 1972, the chorus hosted the Fifth Wednesday Jamboree at the Knights of Columbus Hall in St. Charles.  Participants included S.P.E.B.S.Q.S.A St. Louis Suburban, Florissant Valley, Kirkwood, St. Louis No. 1, and Collinsville (IL) chapters.  Among the quartets who performed were Men of a Chord, Gaslight Squires, the Gadabouts, and the Pea Pickers.[45]  The Daniel Boone Chorus finished in tenth place in the Central States District Chorus Competition in 1972.[46]  The chorus had the Daniel Boone Chorus Auxiliary, a group of wives who supported their husbands in singing barbershop.  The auxiliary was renamed the Becky Boone Tagalongs in 1973.[47]  The chapter currently does not have an auxiliary for the spouses of chorus members, but the Ambassadors Circle could be considered a successor to such auxiliaries.

              1973 brought more milestones for the chorus.  The Daniel Boone Chorus held a Guest Night in March.[48]  The chorus raised $672 for the St. Charles County Sheriff’s Reserve at the Festival of the Little Hills in 1973.  By that time, Ken Schroer was president and Dave Smith was secretary.  Daniel Boone Chorus member Jerry Coen served on the festival committee.[49]  The chorus finished eleventh in the Central States District Chorus Competition in 1973.[50]

              Shiz Hori was president in 1974.  Hori joined the chapter in 1972.  At the time, he was a resident of Hazelwood, Missouri, and worked for McDonnell Douglas.[51]  The Daniel Boone Chorus traveled to Sioux Falls, South Dakota, the first week of May in 1974 to compete in the Central States District Preliminary Chorus Competition.  The chorus finished in second place (981 points), only six points behind the winning chorus, the Shrine of Democracy Chorus from Rapid City-Mount Rushmore, South Dakota (987 points).  The annual Spring Show was presented at St. Charles High School on 17 and 18 May at 8 p.m. with a dance to follow the Saturday night (17 May) performance at Blanchette Park.  The shows had a circus theme and a river theme based on Mark Twain.  The chorus planned to host the annual Afterglow on the final night of the International Barbershop Convention in Kansas City.  The Afterglow was in the grand ballroom of the Muehlebach Hotel.[52]

The chorus performed at the Children’s Theatre in the St. Louis Art Museum on 15 June 1974.[53]  The Daniel Boone Chorus performed in August 1974 at the Festival of the Little Hills.[54]  Don Nevins left the chorus and the country in October 1974 and was succeeded as director by Joe Richardson.[55]  Richardson was the only director to use a baton in his direction.[56]  The resignation of Nevins as director sent the chapter into turmoil.  Many of the old members left shortly after Nevins did, but many new members joined under the new director.[57]  Richard L. “Rich” Knight, a high school teacher in the Fort Zumwalt School District, joined the Daniel Boone Chorus in 1974.  Knight had previously sung with the Cosmopolitan Singers and appeared on the stage of the St. Louis Municipal Opera (the Muny).[58]  Knight later gained international notoriety in the barbershop music world as the lead of the Gas House Gang quartet.

              Ron Grooters was Chapter President in 1975.  Ron and his wife Betty were married on 30 September 1961 in Yellowstone County, Montana.[59]  He and his wife moved to St. Louis from Billings, Montana.[60]  He sang bass with the Mutual Funs in 1971 at the St. Louis Muny’s production of “The Music Man.”  Other quartet members were Bob Henry, Bert Volker, and John Jewell.[61]  The following year, Jewell was replaced by Gordon Manion and the quartet was renamed the Gaslight Squires.[62]   Grooters joined S.P.E.B.S.Q.S.A. in 1969 as a member of the St. Louis #1 Chapter.  While a member of that chapter, he was their Assistant Secretary and Sergeant at Arms.[63]  He was one of two contacts for men interested in auditioning for the St. Louis #1 Chapter in 1971.[64]  Grooters joined the St. Charles chapter in 1972 and sang with the Daniel Boone Chorus and, later, the Ambassadors of Harmony until 2020.  He taught Industrial Arts at Oakville Junior High School and lived in Mehlville, Missouri.[65]  Grooters was later involved in two other quartets, Rivertown Sound and E-Male (1999-2000).[66]  He was director of community education and extended services when he became assistant principal of Mehlville High School.[67]  Jim Henry wrote a letter petitioning the chapter to join as an eleven-year-old in 1975.[68]  The result was a change in the chapter rules allowing members under the age of sixteen if their father was already a chapter member.[69]  At the time Jim joined the chorus, attendance averaged about twenty-five men who rehearsed sitting down.  His father, Robert “Bob” Henry was already a member of the chorus and a member of the Gaslight Squires barbershop quartet.[70]  Auditions in 1975 were held at Old Tyme Barbershop at 501 S. Fifth St. in St. Charles.[71]  On 1 March 1975, the chorus performed a mini-show along with barbershop quartets and a dinner dance at St. Charles Borromeo Catholic Church at Fifth and Decatur streets.[72]  On 13 September 1975, the chorus hosted the ninth annual St. Louis Area Barbershop Chorus and Quartet Contest at Ladue High School.  The chorus finished fourth in the chorus competition and a quartet, the Gaslight Squires, from the chorus finished third in the quartet contest.[73]  Other performances included singing in churches on Sunday mornings and an 27 August “sing-out” at Emmaus Home on Randolph Street.[74]  The chorus added five new members in early October 1975:  Marvin Boles (1924-1999), Knowles Dougherty (1934-2016), Harlan Ebeling (1923-2017), the aforementioned James Henry, and Bob Porchey (1937-2014).[75]  Jim Henry served in several roles until becoming director of the Daniel Boone Chorus in 1990.  He continued in that role until 2013, when he became co-director.  The chorus performed, alternating with the Ladue High School Chorus, on 10 December 1975 at Plaza Frontenac.  Both choruses shared the same director, Joe Richardson.[76]  The Daniel Boone Chorus finished in ninth place in the Central States District Chorus Contest.[77]

              In January 1976, the Daniel Boone Chorus performed at the 59th annual installation banquet of the St. Charles Chamber of Commerce at Stegton Ballroom.[78]  Joe Richardson left the position of chorus director.  Bob Henry and Gordon Manion co-directed the Daniel Boone Chorus from January to October 1976.[79]  Bert Volker also helped in directing the chorus.

Larry Bloebaum was Chapter President in 1976.[80]  A native of Mokane, Missouri, Bloebaum moved to Florissant and was employed by McDonnell Douglas.[81]  He joined the St. Charles Chapter in the spring of 1973.  He was elected Board Treasurer in 1974.  The chapter board decided to have the chorus present “Bicentennial Revue.”  The show produced positive results and new members joined the chorus.[82]  Bloebaum later moved to Jefferson City, Missouri, but continues as an off-risers member of the St. Charles Chapter.[83]  Twelve men auditioned for the chorus on 26 May 1976.[84]  On 20 June 1976, the chorus performed at Six Flags over Mid-America.[85]  In August 1976, the chorus took over the First State Capitol parking lot during the Festival of the Little Hills and scheduled a variety of entertainment, including the locally renowned Patt Holt Singers.[86]  From October 1976 to October 1979, Bob Henry was sole director of the Daniel Boone Chorus.[87]  During that time, he also directed the O’Fallon (MO) Chapter of the Sweet Adelines.[88]  On 10 November 1976, the Daniel Boone Chorus held a guest night.[89]

              The chapter president in 1977 was Dick Chambers.  He joined the S.P.E.B.S.Q.S.A. and the St. Charles chapter in 1973.  Chambers was chapter secretary in 1974.  He donated video equipment to the chorus and sang in the Sound Effects Quartet.  His work transferred him to Wichita, Kansas and there became active in the Wichita Capital Chorus.  He returned to St. Louis in 1976 and then rejoined the chapter.  At the time he was employed by McDonnell Douglas and living in Florissant, Missouri.[90]  In 1977, the chorus changed rehearsal venues from St. John’s United Church of Christ to the St. Charles Presbyterian Church Hall.[91]  The chorus also changed meeting nights from Wednesdays to Tuesdays.[92]  In February, the chapter published an advertisement promoting “The recruitment of bathtub baritones, traffic jam tenors, barroom basses, and lonesome leads for the perpetuation of the barbershop sound.”[93]  On 10 September 1977, the Daniel Boone Chorus finished second in the St. Louis Area Barbershop Competition at Ladue High School in Ladue, Missouri.[94]

  Gary Goldman was Board President in 1978.[95]  Gary Steven Goldman was born 3 June 1952 and died on 18 November 2017 in Phoenix, Arizona.[96]  In 1978, the chorus performed at the Blues-Canadiens NHL game in St. Louis.[97] From 1979 to 1980, Lynn E. Bultman served as board president.[98]  Bultman is a native of Indiana.  He married on 15 October 1966 in Sunman, Indiana, to Janice Lee Klusman.[99]  He was serving with the Seabees in the United States Navy in 1968.[100]  In 1973, He became the manager of Indiana Cities Water Corporation in Newburgh, Indiana.[101]  Lynn and his wife Janice were living in St. Joseph, Missouri, in 1975.[102]  A veteran of the United States Navy, Bultman moved to St. Charles in 1976.  He joined the St. Charles Chapter of S.P.E.B.S.Q.S.A. in 1977.[103]  He was invited to the chorus by Gary Goldman.  Bultman had a background in administration and helped in structuring policies and financial programs for the chapter.  He laid the groundwork for financial stability so that the chapter could meet the needs of a growing organization while keeping in place reserves for future requirements.[104]  Bultman was vice-president and general manager of Missouri Cities, a local water company, in 1986.[105]  On 28 April 1979, the Daniel Boone Chorus finished second in the Central States District Chorus Prelims in St. Joseph, Missouri.[106]  The chorus performed at the Festival of the Little Hills on 17 and 18 August 1979.[107]  In the Fall Central States District Chorus Competition in Omaha, Nebraska, on 6 October 1979, the Daniel Boone Chorus finished eleventh out of sixteen competitors.[108]  Shortly after that district, Bob Henry stepped down from directing and was succeeded by Gene Johnson, who directed the chorus until April 1981.[109]  Under Johnson’s leadership, the Daniel Boone Chorus began participating in Christmas caroling on Main Street in St. Charles in December 1979.[110]


[1] Index card, Ambassadors of Harmony archives

[2] The Coonskin Cappers Weekly VII, no. 1 (January 1970), Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[3] Proclamation signed by Henry C. Vogt on S.P.E.B.S.Q.S.A. letterhead, 1 April 1970, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives; St. Charles Daily Banner-News, April 1970, newspaper clipping in Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[4] Jerry Coen to Members of our St. Charles Chapter of S.P.E.B.S.Q.S.A., June 1970, followed by pictures of the show; St. Charles Cinema was located on Second Street until it was torn down in 1974 (see St. Charles Journal, 18 March 1974, Newspaper Archive, accessed 28 July 2020).

[5] Pictures dated 11 June 1970, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[6] Poster advertising event, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[7] Pictures in Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[8] St. Charles Journal, 8 October 1970, Newspaper Archive

[9] St. Charles Journal, 28 February 1972, Newspaper Archive

[10] “Chorus Wins Best Trophy,” St. Charles Daily Banner-News, 28 January 1971, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[11] CSD Chorus Contest Official Scoring Summary, Davenport, Iowa, 17 October 1970, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[12] Letter from Shirley White to S.P.E.B.S.Q.S.A., 5 October 1970, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[13] Program, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[14] Map, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[15] St. Charles Daily Banner-News, December 1970, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[16] This is the nickname given it by local historian Edna McElhiney Olson, but the story does not appear to be correct.  The building at 500 S. Main St. appears to have originally been a warehouse for Francis X. Kremer’s mill (as seen on the 1869 Bird’s Eye View of St. Charles).  The building sustained damage in the 1876 tornado and appears to have been redone in its current configuration shortly after that tornado.

[17] St. Charles Journal, 21 January 1971, Newspaper Archive

[18] St. Charles Daily Banner-News, 21 January 1971, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[19] A chain of command for 1971 is in Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[20] Index card, Ambassadors of Harmony archives

[21] Newspaper clipping, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[22] St. Charles Journal, 18 February 1971, Newspaper Archive; Karen Tuttle, “Wife sees good in husband’s surgery,” St. Charles Daily Banner-News, 22 February 1971, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[23] Information card and program, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[24] “St. Charles Moving Ahead,” Gerry Mohr, 3 August 1971, report in Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[25] St. Charles Journal, 15 April 1971, Newspaper Archive; St. Louis Globe-Democrat, 6 April 1971, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives; pictures of this performance are also in the binder; Another article advertising this is in the Daniel Boone Chorus binder, 1971-79

[26] Mohr in Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[27] St. Charles Daily Banner-News, 23 July 1971, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives; the program, a review by Frank Hunter of the St. Louis Globe-Democrat, a congrats to the quartet by Bob Goddard in the St. Louis Globe-Democrat, Wednesday, 21 July 1971; Myles Standish, “’Music Man’ Opens at Municipal Opera,” St. Louis Post-Dispatch, 27 July 1971, Daniel Boone Chorus binder, 1971-79, Ambassadors of Harmony archives

[28] St. Charles County Historical Society Photo 12.1.087, image accessed 6 July 2020

[29] Program, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[30] Official Scoring Summary, 2 October 1971, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[31] Note card listing directors and rehearsal venues, Ambassadors of Harmony archive

[32] St. Charles Journal, 2 December 1971, Newspaper Archive

[33] https://www.findagrave.com/memorial/153532801, accessed 20 July 2020; birthplace surmised from family’s residence in St. Louis in the 1940 U.S. Census

[34] Index card, Ambassadors of Harmony archives

[35] St. Charles Journal, 14 February 1972, Newspaper Archive

[36] “Barbershop Singers Schedule Auditions for New talent,” St. Charles Journal, 28 February 1972, Daniel Boone Chorus binder, 1971-79, Ambassadors of Harmony archives

[37] St. Charles Journal, 28 February 1972, Newspaper Archive

[38] St. Charles Journal, 12 June 1972, Newspaper Archive

[39] St. Charles Journal, 24 August 1972, Newspaper Archive

[40] Esther Talbot Fenning, “Festival of the Little Hills – Cooks Again on Riverfront,” St. Charles Post, 10 August 1995

[41] St. Louis Post-Dispatch, 23 August 1972, Newspapers.com; http://www.preservationjournal.org/public/FrontierPark/Frontier.html, accessed 7 July 2020

[42] St. Charles Journal, 25 September 1972, Newspaper Archive

[43] Gerry Mohr, “St. Charles Enjoys,” December 1972, Daniel Boone Chorus binder, 1971-79, Ambassadors of Harmony archives

[44] St. Charles Journal, 9 November 1972, Newspaper Archive

[45] St. Charles Journal, 7 December 1972, Newspaper Archive

[46] http://www.barbershopwiki.com/wiki/Ambassadors_of_Harmony, accessed 6 July 2020; St. Charles Journal, 19 October 1972, Newspaper Archive

[47] St. Charles Journal, 5 March 1973, Newspaper Archive

[48] St. Charles Journal, 26 February 1973, Newspaper Archive

[49] St. Charles Journal, 18 October 1973, Newspaper Archive

[50] https://www.barbershopwiki.com/wiki/Ambassadors_of_Harmony, accessed 7 July 2020

[51] Index card, Ambassadors of Harmony archives

[52] St. Charles Journal, 9 May 1974, Newspaper Archive

[53] St. Louis Post-Dispatch, 14 June 1974, Newspapers.com

[54] St. Charles Journal, 21 August 1974, Newspaper Archive

[55] Index card, Ambassadors of Harmony archive

[56] Index card, Ambassadors of Harmony archive

[57] Index card, Ambassadors of Harmony archive

[58] Newspaper clipping, Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[59] Montana Marriage Records, 1943-1988, www.ancestry.com, accessed 20 July 2020

[60] He and his wife are listed as parents in Montana Birth Records, 1897-1988, www.ancestry.com, accessed 20 July 2020

[61] “In Muny’s Music Man,” St. Charles Journal, 26 July 1971, Newspaper Archive, accessed 20 July 2020

[62] “Award-Winning Squires,” St. Charles Journal, 19 October 1972, Newspaper Archive, accessed 20 July 2020

[63] Index card, Ambassadors of Harmony archive

[64] Want ad placed by St. Louis No. 1 Chapter of the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. in the St. Louis Post-Dispatch, 14 November 1971, Newspapers.com, accessed 20 July 2020

[65] Index card, Ambassadors of Harmony archives

[66] Members.barbershop.org, accessed 20 July 2020

[67] “Changes,” St. Louis Post-Dispatch, Newspapers.com, accessed 20 July 2020

[68] Joel Currier and Michael Kunz, “The Biggest Man in Barbershop,” The Harmonizer (May/June 2010), 18

[69] Index card, Ambassadors of Harmony archive

[70] http://harmonyuniversity.blogspot.com/2007/08/gold-medal-moments-by-dr.html, accessed 7 July 2020; St. Charles Journal, 31 July 1975, Newspaper Archive

[71] St. Charles Journal, 12 March 1975, Newspaper Archive

[72] St. Charles Journal, 28 February 1975, Newspaper Archive

[73] St. Charles Journal, 1 October 1975, Newspaper Archive

[74] St. Charles Journal, 24 September 1975, Newspaper Archive

[75] St. Charles Journal, 8 October 1975, Newspaper Archive

[76] St. Louis Post-Dispatch, 9 December 1975, Newspapers.com, accessed 16 December 2019

[77] http://www.barbershopwiki.com/wiki/Ambassadors_of_Harmony, accessed 7 July 2020

[78] St. Charles Journal, 19 January 1976, Newspaper Archive

[79] Index card, Ambassadors of Harmony archive

[80] Index card, Ambassadors of Harmony archive

[81] 1940 U.S. Census, www.ancestry.com, accessed 20 July 2020

[82] Index card, Ambassadors of Harmony archive

[83] Members.barbershop.org, accessed 20 July 2020

[84] St. Charles Journal, 16 June 1976, Newspaper Archive

[85] St. Charles Journal, 28 June 1976, Newspaper Archive

[86] St. Charles Journal, 19 August 1976, Newspaper Archive

[87] Index card, Ambassadors of Harmony archive

[88] Troy Free Press and Silex Index (MO), 10 May 1978, Newspaper Archive

[89] St. Charles Journal, 10 November 1976, Newspaper Archive

[90] Index card, Ambassadors of Harmony archive

[91] Index card, Ambassadors of Harmony archive

[92] St. Charles Journal, 24 February 1977, Newspaper Archive

[93] St. Charles Journal, 23 February 1977, Newspaper Archive

[94] St. Charles Journal, 15 September 1977, Newspaper Archive

[95] Index card, Ambassadors of Harmony archive

[96] Obituary, St. Louis Jewish Light, 29 November 2017, Newspapers.com, accessed 20 July 2020

[97] St. Louis Post-Dispatch, 8 February 1988, Newspapers.com, accessed 22 November 2018

[98] Index card, Ambassadors of Harmony archive

[99] Indiana Marriage Certificates, 1960-2005, www.ancestry.com, accessed 20 July 2020

[100] Greensburg (IN) Daily News, 18 April 1968, Newspaper Archive, accessed 20 July 2020

[101] Newburgh (IN) Register, 6 September 1973, Newspapers.com, accessed 20 July 2020

[102] Greensburg (IN) Daily News, 11 December 1975, Newspaper Archive, accessed 20 July 2020

[103] “Barbershop Group Adds New Member,” St. Charles Journal, 7 April 1977, Newspaper Archive, accessed 20 July 2020

[104] Index card, Ambassadors of Harmony archive

[105] St. Louis Post-Dispatch, 11 March 1986, Newspapers.com, accessed 21 July 2020

[106] 1979 Central States District scores, which were available online in 2017, but not in 2020

[107] St. Charles Journal, 16 August 1979, on microfilm at Kathryn Linnemann Branch, St. Charles City-County Library District

[108] 1979 Central States District scores, which were available online in 2017, but not in 2020

[109] Index card, Ambassadors of Harmony archives

[110] “Christmas on St. Charles’ Main Street,” St. Louis Post-Dispatch, 30 November 1981, Newspapers.com, originally clipped by David Revelle, 17 September 2016

Mariamne and Mary

It was a research project that suddenly hit a snag. Those doing the research decided to quit. The project fell to the rest of the committee. The St. Peters Historical Focus Group was tasked with providing new research on Main Street in St. Peters, Missouri. I decided to start running some of the chains of title on the properties that had already been chosen. Every history of St. Peters says the same thing about the beginning of the town, that the town of St. Peters was platted by Henry Deppe and Henry Reineke in 1868. The 1885 History of St. Charles, Montgomery, and Warren Counties claims this as do all the histories of St. Peters written since then. Every history of St. Peters is wrong. The original town of St. Peters was laid out by Hypolite Bernard before 1850 (St. Charles County, MO, Deed Book 559, p. 991, 30 July 1970). The first addition to the town of St. Peters was made in 1860 by John Baptiste Bernard and Hypolite Bernard (St. Charles County, MO, Deed Book O-2, p. 160). All the histories of St. Peters are wrong. It is possible for one to think they have figured out the truth and yet be wrong.

Ancient history is much harder to prove than the above example. Claims can be made that cannot easily be proven true or false. The name Mariamne is common among the Herodians. Mary is a common name in the New Testament. I get the sense from reading Cleta Flynn’s blog (https://mysearchforpoliticalmary.com/2015/06/06/bad-mary-part-ii/#_edn2) that she thinks Mary is one of the Mariamnes descended from Herod the Great. Considering the fact that both names were common in Roman times in the area in and surrounding today’s country of Israel, such a connection seems ridiculous to me. I mean, how do you know that Mary Magdalene or one of the other Marys mentioned in the New Testament wasn’t part of the Herodian dynasty? Such a connection is impossible to prove because of how common the name was at that time. Consider also that no evidence is given to show that the Herodians ever lived in Nazareth, which is the town Mary was living in according to Luke 1:26. Such a view would disqualify Jesus Christ as Messiah as He would not be biologically descended from David. It denies the virgin birth of Jesus Christ and claims that Matthew simply made up the details in his gospel, details for which Matthew later died. It also denies the statement made by the angel Gabriel to Mary in Luke 1:32, “And the Lord God will give to him the throne of his father David” (ESV). Flynn, sticking with Matthew, after accusing Mary of committing adultery, then claims that Matthew fabricated a genealogy which included women of ill-repute. In this, Flynn claims that Ruth played the harlot to have a son by Boaz, but the story does not imply that. In fact, it was Naomi that encouraged Ruth to lay at the feet of Boaz at nighttime. The word “know,” often used of intimate sexual relationships in the Old Testament does not appear in Ruth 3 as it should if Flynn is correct. In fact, there is no indication of any premarital sex in the Book of Ruth at all. Ruth 4:13 says, “So Boaz took Ruth and she became his wife. And he went into her, and the Lord gave her conception, and she bore a son.” In other words, Boaz and Ruth did not have sex until after marriage.

I conclude, therefore, that the claim that Mary, the mother of Jesus, was a Mariamne descended from King Herod, cannot be proven because of the prevalence of both names in New Testament times, there is no reason not to take what Matthew wrote at face value unless one is already predisposed to reject it, Flynn’s claims about Ruth have no foundation in the Bible and the book of Ruth refutes them, and the claim that Jesus was a descendant of Herod has no historical foundation whatsoever. That Joseph and Mary were both living in Nazareth, and not Bethlehem, should be enough to prove geographically that Mary, the mother of Jesus, was not related to the Herods in any way. Like the history of St. Peters, just because someone makes a claim does not make it so. There must be irrefutable historical evidence to back it up. Otherwise, it’s just speculation.

Misadventures in Historical Scholarship

“I am not religious.” I have heard that said so many times. All human beings are religious, even if they are not connected to an organized religion. Everyone has a belief system, a system of faith. We all operate based on certain assumptions that we believe to be true. The same can be said in dealing with historical works. We can assume that the author, based on their credentials, has done their due diligence to research the topic about which they are writing. I grew up in a house with two parents who were both published authors. Both of my uncles, Joel S. Watkins, Jr. and Gary E. Farley, were published authors. Through the St. Charles County Historical Society, I have met many writers. Some of them now have blogs, such as Dorris Keeven-Franke and Cleta Flynn. Louis Launer has written several novels. Blog posts can be about whatever an author is interested in. I have had my share of controversies dealing with history. It is my hope that this post will be the beginning of a series of posts discussing Biblical history. In so doing, we will discover that it is possible for the human imagination to run wild and speculate where facts are sparse, and much is not known. Welcome to a series of posts on ancient history.

The primary source for my belief system is the Bible, as it should be. There are certainly commentators and pastors that helped in providing historical and cultural context to such an ancient book. If we want to know what the Bible says, we need to understand what the Bible meant to the original audience to whom the books of the Bible was addressed. Others choose different starting points for their discussions on Scripture. Cleta Flynn, whom I mentioned earlier, uses Josephus as her starting point and comes to some rather unusual conclusions. Flynn has been interested in Biblical topics from a secular perspective since at least 1979, when she wrote The Parable:A Story of Jesus, son of Joseph (Virginia Beach, VA: Donning Co., 1979). I first met Flynn during her time as Secretary at the St. Charles County Historical Society in 2005. She continued in that capacity for several years. According to her blog, she became interested in the story of Mary, the mother of Jesus, in the 1960s. In 1984, she purchased a copy of The Complete Works of Flavius Josephus, translated by William Whiston in the eighteen century (https://mysearchforpoliticalmary.com/2014/10/16/searching-for-mary-in-all-the-wrong-places-2/). In more recent years, Flynn’s study of Mary’s identity has led to the publication of two books, Searching for Mary Among the daughters of the King (2007), and Searching for a Political Mary Among the daughters of Queen Mariamne (2020). Flynn is simply spinning off attempts to find “the historical Jesus.” That quest, which dates back to the eighteenth century, attempts to demythologize Jesus by treating all miraculous and supernatural aspects of the gospels as community myths that developed over time. What proof is there for such a claim? None but the fertile imagination of authors who go down this path. All this is built on the historical criticism leveled at the Bible from so-called historical scholars who already were predisposed to attack the Bible as an unreliable document that is not truly what it claims to be, that is, the Word of God. Ultimately, this is an attack on the nature and character of God. If what Flynn has written on her blog is true, then God did not keep His promises and those of us who believe in Jesus Christ as Savior and Lord have believed in a lie. ”Let God be true and every human being a liar.” (Romans 3:4)

Daniel Boone Chorus in the 1960s

The current St. Charles Chapter of the S.P.E.B.S.Q.S.A., Inc. was founded in 1963, when a call went forth with the colorful introductory statement: “Calling all bathtub baritones.”

Announcement of the formation of a barbershop chapter in St. Charles (AOH Archives)

  The first meeting of the new Daniel Boone Chorus occurred 22 January 1963 at the home of James “Jim” Hamilton.[1]  The first director was Walter Gordon “Gordon” Manion (1928-2012).  He directed the chorus from January 1963 to October 1971.  The first chorus rehearsals were held at the Salvation Army Hall at 416 South Main Street in St. Charles (today’s Riverside Sweets). [2]

416 South Main Street, when it was home to the Salvation Army (1966)

Photo from the Archie Scott Collection, SCCHS, posted on the Preservation Journal

  The first officers were elected at the chapter meeting at the Salvation Army Hall on 5 February 1963.[3]  The chapter was officially incorporated on 7 February 1963.  The first chapter president was Bert Volker (1922-2007).  Doc Keough noted that Volker was responsible for holding the first meeting for the formation of the St. Charles Chapter of the S.P.E.B.S.Q.S.A.  “Volker was unanimously elected president, during which time he managed to get the chapter licensed and later chartered.”  Volker also served as assistant chorus director for the first few years.  He served on the St. Louis Area Barbershop Council and on the 1969 International Barbershop Convention Committee.  Volker sang in the Fargo (ND) Quartet before moving to St. Charles.  He sang with local quartets the Gay Blades from 1961 to 1965 and the Mutual Funs from 1970 to 1971.  The latter quartet performed as the quartet in “The Music Man” at the St. Louis Muny.  He was the chapter’s treasurer in 1971.  From 1972 to the end of the 1970s, Bert sang tenor with the Gaslight Squires.[4]  He was born in Tarkio, Missouri on 18 April 1922 and grew up in Tarkio.[5]  Volker began working in the airline industry after graduating from college in Tarkio.  He married C. Irene Dowden on 18 December 1943 in Maryville, Missouri.  At the time, Bert was assistant maintenance supervisor for Pella Airlines in Pella, Iowa.[6]  He worked for several airports before becoming Maintenance Inspector for the Federal Aviation Administration at Lambert-St. Louis International Airport.  Bert and Irene Volker and their family moved from Fargo, North Dakota to St. Charles, Missouri in September 1961.[7]  Bert Volker joined the S.P.E.B.S.Q.S.A. while living in Fargo, North Dakota, in 1959.  For over four decades, Irene Volker was responsible for the many non-tuxedo costumes worn by the Daniel Boone Chorus and the Ambassadors of Harmony.[8]  The first chapter secretary was Martin L. Hettich (1933-2003).[9]  An official slate of officers was elected in April 1963.  Volker was president, Daniel R. “Dan” Valasek (1933-2017) was vice-president of membership, Dr. Keim Lauderdale Baird (b. 1934) was vice-president of programming, Thomas Carl “Tom” Nelsen (b. 1938) was secretary-treasurer, Paul Joseph Boschert (1929-2013) was publicity chairman.  Other board members included Carl Matthew Daniel (1930-2000), Charles William Hafer (1917-2007), and Joseph Francis “Doc” Keough (1920-2010).[10]  The first chorus picture appeared in local newspapers in April. 

St. Charles Daily Banner-News, 17 January 1963 (AOH Archives)

St. Charles Journal, 18 April 1963 (AOH Archives)

In April 1963, rehearsals were moved to the American Legion Hall in St. Charles, where they continue to be held until 1969.  The chorus initially met on Wednesday evenings at 8:15 p.m. at the American Legion Hall at Third and Washington streets.[11] 

St. Charles County Historical Society Photo 232.0127, American Legion Post 312 HQ, 1946

The first performance of the chapter was recorded on 19 March 1963 at KADY and broadcast during Barbershop Harmony Week.  The name “Daniel Boone Chorus” was temporarily adopted by most of the chapter on 27 March 1963.[12]  The chorus provided a quartet for the St. Charles County Fair on 18 July 1963.[13]  The first public live performance of the Daniel Boone Chorus occurred on 23 September 1963 at the P.T.A. Meeting at Benton School in St. Charles.[14]  The St. Charles Chapter was incorporated by the chapter board on 11 December 1963.  Per the copy recorded at the St. Charles County Recorder of Deeds office, “The purpose for which this corporation is organized is to perpetuate the old American institution, the Barbershop Quartet, and to promote and encourage vocal harmony and good fellowship among its members; to encourage and promote the education of the public in music appreciation; and to promote public appreciation of Barbershop Harmony, and to exercise such other and further powers as are necessary to accomplishment of such purpose.”[15]  The chapter received its official charter from S.P.E.B.S.Q.S.A. on 28 December 1963.[16]

Official St. Charles Chapter S.P.E.B.S.Q.S.A. photo celebrating the charter (1964)

(AOH Archives)

                The first chapter show was on 25 April 1964 at St. Charles High School.  By this time, Dr. Baird was replaced by Carl Daniel as Vice-President of Programming.  James Hamilton, who hosted the first chapter meeting at his home on 22 January 1963, was now secretary and Tom Nelsen was now treasurer.  The program included performances by the chorus and the following quartets:  The Gay Blades (Allen Schoeld, Jim Hamilton, Bert Volker, Dr. Wes Wertz), The Big Muddy Four (Dr. J. F. Keough, W. Gordon Manion, Elmer Kemmery, Carl Daniel), The Gateway Four (Tom Nelsen, Dave Jones, Linn Broadfoot, Dr. Keim Baird), The Harmonites (Carl Herzog, Denim Franklin, Jack Fisher, Bob Hemmer), The Tri Towners, and the Key Pickers (Stan Johnson, George Ivanao, Al Boyd, Walter Pormann).[17]  The first edition of the Coonskin Cappers Weekly (published, ironically, monthly) appeared in July 1964.  The newsletter noted that J. W. “Pete” Campbell, who emceed the Charter Night show was transferred from Lambert Airport to the FAA Training Academy in Oklahoma City.  The chorus performed on 10 June for the Ladies’ Sodality of St. Charles Borromeo Catholic Church.  The Big Muddy Four, one of the chapter quartets, performed 16 June at the Chamber of Commerce Appreciation Dinner at the St. Charles Country Club and on 17 June for the St. Charles Jaycees Auxiliary Club.[18]

                The first Installation Banquet held by the chapter was at Pio’s Banquet Center in St. Charles, Missouri, on 27 January 1965.[19]  One could purchase a fried chicken dinner for $2.35 per person or a T-bone steak dinner for $3.25.  The bar opened at 7 p.m. and serving of food began at 8 p.m.  Gordon Manion directed the entertainment program, which featured several talented chorus members.  The ticket chairman was Bob Mertens.[20]

The new chorus president for 1965 was J. F. “Doc” Keough.  He first became involved in barbershop harmony in 1960, when he was a founding member of the quartet, the Charlestones.  The Charlestones, performed at the first chapter meeting on 22 January 1963.  He sponsored thirteen members of the chorus prior to the Barbershop Harmony Society instituting the “Man of Note” program.  Keough was responsible for the non-profit status of the chapter.  He was St. Louis Area Barbershop Counselor in 1966 and served on the 1969 International Barbershop Convention Committee as Registration Chairman.  Keough also sang in the Big Muddy Four (1963-1964), the Tic Tac Tones (1965), and the Quadri-Pals (1966-1971) quartets.  In 1965, the St. Charles Barber Shop Harmony Revue was made an annual event.  He was show chairman in 1964 and show co-chairman in 1965.  Keough served as Logopedics Chairman for the St. Charles Chapter, S.P.E.B.S.Q.S.A. from 1967 to 1971.  He was Program Vice-President in 1972 and also served several years as the chapter photographer.[21]  The Big Muddy Four (Carl Daniels, Dr. J. F. Keough, Gordon Manion, and Bert Volker) performed on “The Charlotte Peters Show” on 9 February 1965.[22]  The chorus performed at the Night of Harmony on Saturday, 6 March 1965.[23]  The first documented guest night was on 17 March 1965.[24]  The Daniel Boone Chorus performed at “Personally Yours” fashion show on 27 March 1965 at St. Charles Presbyterian Church.[25]  The chorus performed at the Trio Barber Shop in St. Charles on 3 April 1965.  The barbershop was located at the entrance to Trio Mobile Homes on Old Highway 40, just east of Zumbehl Rd.[26]  The chapter built a sign at the intersection of Harvester Road and West Clay Street in May 1965.[27]  The chorus held its Second Annual Barber Shop Harmony Revue on 22 May 1965 at the St. Charles High School auditorium.[28]

Second Annual Daniel Boone Chorus Spring Show, 22 May 1965 (AOH Archives)

The chorus competed at the Central States District for the first time in Des Moines, Iowa, in 1965.[29]

Carl Daniel, President of the St. Charles Chapter, S.P.E.B.S.Q.S.A., 1966, and namesake of the Carl Daniel Award 

               The chapter president for 1966 was Carl Daniel.  He was responsible for establishing “Barbershop Harmony Time,” a Sunday radio program which featured thirty minutes of quartets and choruses.  Daniel also served as St. Louis Area Barbershop Council President and arranged to have certified judges for area contests.  He was on the stage committee for the 1969 St. Louis Barbershop Harmony Convention.  Daniel served as chorus director from 1968 to 1971 and sang bass with the Quadri-Pals quartet.[30]  The 1966 Installation Banquet was at Bogey Hills Country Club.[31]  On 26 February 1966, the chorus held a variety show at the Orchard Farm High School Auditorium at 8 p.m.[32]  On 2 March 1966, the chorus performed in the Missouri Room at the Three Flags Restaurant.  The chorus sponsored a showing of the 1965 International Barbershop Quartet competition there.[33]  On 7 March, the St. Charles chapter received the Golden Note Award from S.P.E.B.S.Q.S.A. Executive Director Barrie Best.[34]  The accompanying letter explained that the award was sent to honor the achievement of 10%+ increase in membership.[35]  On 19 May 1966, the chorus performed for the St. Charles Community Council at Golf View Inn.[36]  In August 1966, the chapter held a swimming party.[37]  The chorus held its Third Annual Barber Shop Revue at the St. Charles High School Auditorium on 22 October 1966.  Featured guests were the Foremen, a barbershop quartet from Fort Dodge, Iowa.[38]  The emcee of the concert was Thom Lewis.[39]

                Jerry Coen was board president for the St. Charles Chapter of S.P.E.B.S.Q.S.A. in 1967 and 1970.  A native of Lima, Ohio, Coen worked in Alaska in the summer of 1953 while an engineering student and resident of Toledo, Ohio.[40]  Coen and his wife Shirley were members of St. Charles Presbyterian Church in St. Charles.[41]  He served on the organizing committee of the St. Charles County YMCA in 1968.[42]  He is known as a “quiet, hard-working guy.”  He was St. Charles Chapter Secretary from 1965 to 1966, Program Vice-President in 1969 and 1974, Area Council Representative in 1967, Area Vice-President from 1970 to 1971, and Area Councilor from 1972 to 1973.  He was Chairman of the St. Louis Area Barbershop Contest in 1970 and co-chairman of that contest in 1971.  He served as Assistant Chairman of the Scenery Committee for the 1969 St. Louis International Barbershop Convention and assisted in the airing of the WRTH Barber Shop Harmony Time series.  Coen sang baritone in several quartets, including Quadri-Pals (1965-71) and Men of a Chord (1971-1972).  He was a senior design engineer at McDonnell Douglas.  He and his wife, Shirley, have four children.[43]  Coen actively sang in the St. Charles Daniel Boone Chapter of S.P.E.B.S.Q.S.A. from 1963 to 2008.  The 1967 Installation Banquet was at Three Flags Center in St. Charles.[44]  In addition to Coen serving as president, other officers inducted were Reed Rings, vice-president for membership; Bob Henry, vice-president for programming; Neil Pierce, secretary; Gordon Manion, treasurer; Carl Daniel, bulletin editor; Bill Wallace, public relations offier; and John Fortenberry, chorus contact man.[45]  While Coen was serving as board president, the chorus received a proclamation from the City of St. Charles.  Mayor Henry C. Vogt declared 9-15 April 1967 “Barbershop Harmony Week” in St. Charles.[46]  Coen also spearheaded the chapter’s support of the Institute of Logopedics in Wichita, Kansas.[47]  Today, the institute continues to service children with special needs as Heartspring.[48]

Robert E. “Bob” Henry, President of the St. Charles Chapter, S.P.E.B.S.Q.S.A., 1968 

               In February 1968, the Installation Banquet was at Elm Point Steak House.  Plans were announced to compete in the district competition that fall in Kansas City, Missouri.[49]  Robert Elwin “Bob” Henry (1936-1980) was Board President in 1968.  Henry was born on 12 March 1936 in DeSoto, Missouri, to James Elwin Henry and Estelle M. (Wiley).[50]  He married Rose Marie Licavoli on 14 September 1957 in Overland, Missouri.[51]  Bob Henry joined S.P.E.B.S.Q.S.A. in 1965.  He served as Administrative Vice-President, Program Vice-President, and served four terms on the Board of Directors.  The Daniel Boone Chorus purchased its first complete chorus uniform and competed in the Central States District Chorus Competition in 1968.  Bob Henry was chosen for the district’s “Hustlin-Hundred” award.  He served on many show committees, was the Quartet Promotion Chairman, St. Louis Area Councilor for two terms, and the St. Louis Area Council President in 1970 and 1971.  He served on the Registration Committee for the 1969 International Barbershop Convention in St. Louis and hosted 1968 International Quartet Champions, the Western Continentals.  Bob sang lead in the Tic-Tac-Tones (1965), the Tune Capers (1966), the Mutual Funs (which appeared onstage at the Muny in “The Music Man” in the 1970s), and the Gaslight Squires.  He attended judge’s school and was a quartet coach.  Bob was known for his enthusiasm and drive which “made him one of the most respected members of the St. Charles chapter.”[52]  The chorus performed at the Veterans’ Hospital on 22 April 1968.[53]  On 31 July 1968, members of the Daniel Boone Chapter of the S.P.E.B.S.Q.S.A. performed at Memorial Hall in Blanchette Park at the meeting of the League of Women Voters of the St. Charles Area.[54]  A Labor Day 1968 “non-fishing trip” turned into an annual Labor Day Campout (a tradition that is still going on).[55]  There were other parties at the home of Bert Mueller and at the Coon Club.[56]  The Daniel Boone Chapter presented its Fifth Annual Barbershop Harmony Revue on Saturday, 21 September 1968, at 8 p.m. at the St. Charles High School Auditorium.[57]  The performance featured the quartet, the Foremen, from Rolfe, Iowa.[58]  21 September was a busy day for the chorus.  They also competed in the St. Louis Area Barbershop Chorus Contest at Florissant Valley and finished third.[59]  On 5 October 1968, the chorus finished twelfth in the Central States District Chorus Competition in Kansas City, Missouri.[60]  On 16 November, the chorus performed at a dance at the O’Fallon Civic Club Park in O’Fallon, Missouri.[61]  Members of the chorus presented their Top 21 Songs on 11 December.[62]  The earliest documented chapter Christmas party was on Wednesday, 18 December, at the home of Bert and Irene Volker.[63]

Larry White, St. Charles Chapter President, 1969, picture from chapter Groupanizer profile

                The president for 1969 was Larry White.  He joined the chapter in April 1968 and sang with the Ambassadors of Harmony until 2020.[64] He immediately became bulletin editor and a St. Louis Area Councilor.  He initiated a package show program and served on the registration committee for the 1969 International Barbershop Convention in St. Louis.  He has sung in the quartets Gad-A-Bouts, Mid-Western Union, Brass Tacks, and Male Call (along with John Huddle and Frank Cook).[65]  White was the co-Barbershopper of the Year in 2019.[66]  Other officers for 1969 were Neil Pierce, Administrative Vice-President; Jerry Coen, Program Vice-President; Bert Mueller, Secretary; Bill Morton, Treasurer; Bob Henry, Immediate Past President; Carl Daniel; Director; Carl Daniel and Bill Morton, Bulletin; Bob Henry and Wayne Ketteman, Contact; Doc Keough, Publicity.  The Installation Banquet in 1969 was on 18 January.[67]  The Daniel Boone Chorus performed at Bonfils Auditorium in Troy, Missouri, where they entertained the Claude Brown Elementary School Parent-Teachers Association on 28 March 1969.[68]  The chorus performed at the Jamboree at Waterloo, Illinois, on 30 April 1969.[69]  The chorus was still small at this time, averaging attendance of 15-20 men.  The St. Charles Chapter began actively recruiting more members and this began the increase in size in the chorus.[70]  The chapter held a guest night on 20 May 1969 at Three Flags Restaurant in St. Charles.[71]  They performed at St. Thomas More School on 14 June 1969 at a musical variety show to benefit the school’s athletic program.[72]  The chapter and some local Sweet Adelines had some fun in presenting a play in which a male and a female quartet participated.  The headline reads “Kangaroo Kourt finds Harmony Belles guilty of impersonating choral group.”[73]  The chorus moved rehearsals from the American Legion Hall to Station Duquette at Second and Adams streets in 1969.[74]  The American Legion “was not much” and had “no air conditioning.”  The chorus experienced “lots of Missouri summertime” at the American Legion Hall, including 100-degree heat “and about a million bugs!”

Station Duquette, located on Second Street (torn down in 1993, image from Pinterest)

  Station Duquette was described as “wonderful” and gave the chorus a chance to perform the chorus’ German verse of “Edelweiss” for the station’s German-speaking owner, Gus Holzwarth.[75]  “He listened politely, then asked what language we were singing!”[76]  The Daniel Boone Chorus finished seventeenth out of twenty-one choruses at the Central States District Chorus Competition in Omaha, Nebraska, on 18 October 1969.[77]  They also participated in the Fourth Annual St. Louis Area Barbershop Contest on 27 September 1969 at Kirkwood Community Center in Kirkwood, Missouri, where they finished third.[78]  The chorus held their annual Christmas party on 19 December.  Officers for 1970 were installed at the party.[79]  Fifteen members of the Daniel Boone Chorus sang Christmas carols to help raise $56.35 for the family of Lt. Albert Musterman, who was killed on 30 November 1969.  The fundraiser was held on 23 December 1969.[80]


[1] St. Charles Daily Banner-News, 17 January 1963, microfilm, KL-SCCCLD (also newspaper clipping in the Page-Schroer Collection in the Ambassadors of Harmony archives)

[2] Index card, Ed Page/Ken Schroer Collection, part of the Ambassadors of Harmony archives

[3] St. Charles Daily Banner-News, 1 February 1963, microfilm, KL-SCCCLD (also newspaper clipping in the Page-Schroer Collection in the Ambassadors of Harmony archives)

[4] Index card, Doc Keough Collection, Ambassadors of Harmony archives

[5] 1930 U.S. Census, www.ancestry.com, accessed 16 July 2020

[6] St. Joseph (MO) News-Press, 19 December 1943, Newspapers.com, accessed 16 July 2020

[7] Ruth Harlan, “Social Notes,” St. Charles Journal, 7 September 1961, Newspaper Archive, accessed 16 July 2020

[8] Index card, Doc Keough Collection, Ambassadors of Harmony archives; Irene Volker was still in charge of costuming for the chorus when Justin Watkins joined the chapter in 2003.  The chorus used handsewn vests made by her until the end of 2006, when new outfits were purchased.

[9] St. Charles Chapter (S.P.E.B.S.Q.S.A.) Articles of Incorporation, 7 February 1963, Ambassadors of Harmony archives

[10] April 1963 St. Charles newspaper clipping, Doc Keough Collection, Ambassadors of Harmony archives

[11] Ibid.

[12] St. Charles Chapter S.P.E.B.S.Q.S.A. Newsletter, 4 April 1963, Ambassadors of Harmony collection

[13] St. Charles Journal, 18 July 1963, Newspaper Archive, accessed 27 February 2018; Wentzville Union, 18 July 1963, Newspapers.com, accessed 25 December 2017

[14] St. Charles Journal, 19 September 1963, Newspaper Archive, accessed 27 February 2018

[15] St. Charles County (MO) Deed Book 402, p. 95, 11 December 1963

[16] Chapter charter is kept on file by the AOH Board Secretary

[17] Chapter charter program, 25 April 1964, Ambassadors of Harmony archives; Troy (MO) Free Press and Silex (MO) Index, 24 April 1964, Newspaper Archive, accessed 17 December 2018

[18] The Coonskin Cappers Weekly I, no. 1 (July 1964), Ambassadors of Harmony archives

[19] Ambassadors of Harmony archive, which includes pictures

[20] Letter from Doc Keough, president-elect, to the “Daniel Boone Chapter” of St. Charles, MO, 14 January 1965, Ambassadors of Harmony archives

[21] Index card, Ambassadors of Harmony archives

[22] St. Charles Journal, Thursday, 25 February 1965, Newspaper Archive; pictures from this performance are in the Daniel Boone Chorus binder, 1963-68, Ambassadors of Harmony archives

[23] Pictures in Daniel Boone Chorus binder, 1963-68, Ambassadors of Harmony archives

[24] Daniel Boone Chapter Newsletter, February 1965, Ambassadors of Harmony archives

[25] St. Charles Journal, 25 March 1965, Newspaper Archive

[26] Pictures in Daniel Boone Chorus binder, 1963-68, Ambassadors of Harmony archives; Chapter President’s Bulletin, 1965; some more pictures of this are in the Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives; Trio Mobile Home Park was closed in 1999 and rezoned commercial (St. Charles Post, 16 August 1999).  Lowe’s was built on the site in 2000 and continues in business at that location (St. Charles County Assessor’s Property Search Database).

[27] St. Charles Daily Banner-News, 13 May 1965, Daniel Boone Chorus binder, 1963-68, Ambassadors of Harmony archives

[28] Pictures of this performance are in the Ambassadors of Harmony archive; St. Charles Journal, 20 May 1965, Newspaper Archive; see program in Daniel Boone Chorus binder, 1963-68, Ambassadors of Harmony archives

[29] St. Charles Journal, 28 February 1972, Newspaper Archive

[30] Index card, Ambassadors of Harmony archives

[31] Pictures in Ambassadors of Harmony archives

[32] Program, Daniel Boone Chorus binder, 1963-68, Ambassadors of Harmony archives

[33] St. Charles Journal, 24 February 1966, Newspaper Archive

[34] Certificate, Ambassadors of Harmony archives

[35] Letter from Barrie Best, Executive Director of S.P.E.B.S.Q.S.A., to Carl Daniel, President, St. Charles, Missouri, Chapter, S.P.E.B.S.Q.S.A., 7 March 1966, Ambassadors of Harmony archives

[36] St. Charles Journal, 19 May 1966, Newspaper Archive

[37] Pictures in 1963-1968 DBC Binder, Ambassadors of Harmony archives

[38] St. Charles Journal, 20 October 1966, Newspaper Archive

[39] Daniel Boone Chorus 1963-68 binder, Ambassadors of Harmony archives

[40] Fairbanks (AK) Daily Miner, 6 July 1953, Newspaper Archive, accessed 18 July 2020

[41] “Tableau of Last Supper,” St. Charles Journal, 15 April 1965, Newspaper Archive, accessed 18 July 2020

[42] “New Members on YMCA Board,” Wentzville Union, 18 January 1968, Newspaper Archive, accessed 18 July 2020

[43] Index card, Ambassadors of Harmony archives

[44] Pictures, 1963-68 DBC binder, Ambassadors of Harmony archives

[45] St. Charles Daily Banner-News, January 1967, 1963-68 DBC binder, Ambassadors of Harmony archives

[46] Typescript of proclamation, Ambassadors of Harmony archives

[47] There is an entire section of the 1963-1968 Daniel Boone Chorus binder dedicated to this institute.  It was chosen as the International Service Project of the S.P.E.B.S.Q.S.A. in June 1964, Ambassadors of Harmony archives

[48] https://www.heartspring.org/about_us, accessed 31 December 2020

[49] St. Charles Journal, 15 February 1968, Newspaper Archive

[50] U.S. Social Security Applications and Claim Index, 1936-2007, www.ancestry.com, accessed 18 July 2020

[51] Missouri Marriage Records, 1805-2002, www.ancestry.com, accessed 18 July 2020

[52] Index card, Ambassadors of Harmony archives

[53] Picture, Ambassadors of Harmony archives with date and information

[54] Letter from Judith L. Turner to Roy Seigler, 1 August 1968, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[55] Pictures of this are in the Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[56] Pictures in the Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[57] Ticket, Ambassadors of Harmony archives

[58] Letter from Perry W. Johnson, 29 August 1968, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[59] Scoresheet, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[60] St. Charles Daily Banner-News, October 1968, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[61] O’Fallon (MO) Community News, November 1968, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[62] Program in Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[63] Chorus newsletter, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[64] Members.barbershop.org, accessed 20 July 2020

[65] Ibid. and Index card, Ambassadors of Harmony archives

[66] https://aoh.groupanizer.com/node/86816, accessed 22 July 2020

[67] Pictures and list are in Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[68] Troy Free Press and Silex Index (MO), 21 March 1969, Newspaper Archive; The Coonskin Capper’s Weekly VI, no. 2 (February 1969), Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[69] Pictures in the Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[70] Index card, Ambassadors of Harmony archives

[71] The Coonskin Capper’s Weekly VI:  no. 3 (May 1969); edited by Karl Bolton, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[72] Program, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[73] St. Charles Daily Banner-News, Friday, 15 August 1969, clippings in Daniel Boone Chorus binder, 1970-71, Ambassadors of Harmony archives

[74] Note card listing directors and rehearsal venues, Ambassadors of Harmony archives

[75] Last name taken from St. Charles Journal, 16 August 1976, Newspaper Archive, accessed 20 July 2020; Station Duquette was located at 325 N. Second Street.  It was later torn down by St. Charles County after the county purchased the site in 1984 from Frieda E. Lyons (Deed Book 988, p. 197).  Today, the site is occupied by the St. Charles County Jail (see St. Louis Post-Dispatch, 2 October 1988).

[76] Index card, Ambassadors of Harmony archives

[77] The Central States Serenade, no. 5 (December 1969), Ambassadors of Harmony archives

[78] Program in Ambassadors of Harmony archives; scoresheet, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[79] Pictures in Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

[80] “Munsterman Collection,” St. Charles Daily Banner-News, 24 December 1969, Daniel Boone Chorus binder, 1968-69, Ambassadors of Harmony archives

Barbershop Harmony (1890-1963)

                The earliest reference to a barbershop quartet appears to have been in 1892.  The Decatur (IN) Daily Democrat comments, “Foreman’s barber shop quartette is getting to the front very rapidly.  On Tuesday and Friday evenings they will entertain those who can stand it to listen.”[1]

Decatur (IN) Daily Democrat, p. 1, 8 April 1892 (Newspaper Archive)

  Frank C. Foreman was born in July 1865 in Indiana and was a white barber living in Decatur, Indiana, in the 1900 U.S. Census.[2]  He later moved to Cincinnati, Ohio, where he died on 25 September 1929.  He was buried in Oxford Cemetery in Oxford, Ohio.[3]  This would seem to indicate that whites began to dabble in barbershop harmony by 1892.  In Scranton, Pennsylvania in 1893, “the barber shop quartette entertained the friends at the home of Jonas Allen yesterday afternoon and sang several selections in a pleasing manner.”[4]  Most references to a barbershop quartet at this time were for singing quartets, with one exception.  In Atchison, Kansas, in 1893, “The Barber Shop Quartette gave a concert Saturday on a violin, organ, banjo, and guitar.”[5]  A black barbershop owner, who was the leader of a black quartet in St. Louis, was solicited by one Cresswell, the organist of the First Presbyterian Church of St. Louis, to show off the new organ at the church.  The idea was to have the man sing when the organist pulled a string attached to the Vox Humana stop on the organ.  Unfortunately, by the time the organist tried to demonstrate for the people he invited to listen to the organ, the black man had fallen asleep inside!  The organist gave several tugs on the string, the last one so violently that it knocked Cresswell off the bench.  This awakened the black man, who cursed at being awakened!  “You deserve to win your bet.  You certainly have a wonderful instrument here.  I have heard Vox Humana pipes that could sing, but this is the only one I ever knew that could curse,” retorted one of the individuals called upon to judge the performance of the organ.[6]

                The first references to barbershop chords also come from the 1890s.  “The Lyceum Quartette extracted all the barber shop chords from several popular songs,” announced the Buffalo (NY) Enquirer in 1893.[7]

Buffalo (NY) Enquirer, 13 June 1893, p. 5 (Newspapers)

The earliest organized group which required the ability to sing barbershop chords for membership was the Harmony Club of Poughkeepsie, New York, formed in 1897:  “To be eligible for this exclusive club, a man must possess a reasonably good voice, and be capable of producing ‘barber shop chords’ at will.”[8]

Boston (MA) Globe, 12 June 1898, p. 16 (Newspapers)

The harmony club brings out another cultural contribution to barbershop harmony: the Germans. The existence of clubs can be seen in early nineteenth century newspapers, such as the mention of the Harmony Club in Hamburg, Germany, which was closed for a period of time in 1814 (The Freeman’s Journal [Dublin, Ireland], 10 January 1814, p. 3, Newspapers, accessed 4 July 2023). German immigration to the United States in the 1830s and 1840s led to the establishment of harmony clubs amongst German-American communities. The Gesang-Verein Harmonie Club was founded in Detroit in 1849 and started with ten members who all knew German lieder (art songs). The club continued to exist until 1974 (https://historicdetroit.org/buildings/the-harmonie-club). Not all German harmony clubs were centered on music. Some were social clubs for Germans, such as the one founded in 1852 in New York City (https://www.nyhistory.org/community/harmonie-club). Another harmony club that was focused on music was the Augusta Harmonie Verein in Augusta, Missouri. Founded on 13 January 1856, the Augusta Harmonie Verein was devoted primarily “to music and good fellowship” (https://www.artbybryanhaynes.com/shop/augusta-harmonie-verein/; “Early German Settlers Found Way to Get Around Temperance Laws,” Washington (MO) Missourian, 16 June 1955, p. 17, Newspapers, accessed 4 July 2023). The group performed at the annual festivals in Augusta (Anita M. Mallinckrodt, “145 Years of German-American Fests,” St. Charles County Heritage XIX (no. 4): 125 (October 2001).) The Augusta Harmonie Verein disbanded in 1922 (“Augusta Celebrates and Launches Revitalization of Harmonie Verein,” Boone Country Connection, 31 January 2020, https://boonecountryconnection.com/news/community-interest/7241-augusta-celebrates-and-launches-revitalization-of-harmonie-verein, accessed 4 July 2023). A men’s choir (männerchor) was founded in Augusta in 1882 and they celebrated their second anniversary on 13 May 1884 with “instrumental and vocal entertainment with some theatrical pieces, and an appropriate quantity of refreshments, which last is not to be avoided” (St. Charles Cosmos, 7 May 1884, p. 4, Newspapers, accessed 4 July 2023). The men’s choir continued to perform as late as 1897 (Marthasville (MO) News, 8 April 1897, p. 4, Newspapers, accessed 4 July 2023). Although harmony clubs existed throughout the United States and in many places in Missouri (including Sedalia, Missouri, see Cole County Democrat [Jefferson City, MO], 4 January 1889, p. 1, Newspaper Archive, accessed 4 July 2023), none seemed to sing barbershop harmony or require it except for the one mentioned earlier in Poughkeepsie, New York. The quartet clubs and harmony clubs were predecessors to barbershop chapters in the sense that neither quartet clubs nor harmony clubs required singers to be trained vocalists in order to participate.

  The earliest barbershop arrangement to appear in print was that of “On the Banks of the Wabash,” which accompanied a full-scale description of barbershop harmony, entitled “Barber Shop Chords,” in the Kansas City (MO) Star, in 1899.

Kansas City (MO) Star, 7 May 1899, p. 7 (Newspapers)

  The article points out that both whites and blacks were singing in barbershop quartets, but the author preferred the black barbershop singers to the white ones: “The Negro is the champion chord singer, however.  A quartette of Negro waiters sitting on the back steps of a hotel on a moonlit night can do more to make one glad that music was invented than Theodore, Thomas, or Sousa, or any of them.  They discover music as they go along.  They start out on the chorus of a song and on the third note find that it has fine possibilities for making a chord …”[9] Not everyone was fond of barbershop music. Ragtime music was criticized as being simple by an unnamed man in Chicago in 1899: “The formula for writing this sort of stuff is two bars of overcoat music and four barbershop chords.” The man then went on to explain that those who played ragtime often had the music stuffed in their overcoats before they performed (Marion County [MO] Herald, 4 May 1899, p. 7, Newspapers, accessed 4 July 2023).  The following year, “Tom the Tattler” wrote an obituary for the barbershop quartet in the Indianapolis (IN) Freeman: “A noticeable advancement along the musical lines of the profession is the passing of the barber shop quartette with its barber shop harmony.”  The author went on to describe barbershop chords as “a musical slang” which “violates—at times ruthlessly—the exacting rules and proprieties of music.”[10] 

Indianapolis (IN) Freeman, 8 December 1900, p. 2 (Google News Archive)

This 1900 obituary of barbershop harmony turned out to be quite premature! Prior to the above discovery, it was thought that the earliest reference to barbershop chords was the song, “Play that Barber Shop Chord” by Lewis Muir, recorded in 1910 by Bert Williams (https://www.youtube.com/watch?v=b1OOF4i2Noc, accessed 17 July 2023).

                The earliest documented quartet in St. Charles, Missouri, was the male quartet of the St. Charles College, which performed at the Odd Fellows Hall in St. Charles in June 1881 (St. Charles Cosmos, 15 June 1881, p. 1, Newspapers, accessed 4 July 2023). Churches also had male quartets, such as that formed by the Jefferson Street Presbyterian Church.  They performed for the Ladies’ Aid Society of the church at the home of Mrs. E. G. Ferguson on Jefferson Street in 1904.[11]  Although there are no references to barbershop quartets in St. Charles at the time, barbershop quartets were found in St. Louis throughout the first few decades of the twentieth century.  A barbershop quartet performed at the fall meeting of the City Club “Snoopers” in the Victoria Theater on 2 December 1914.[12]

                Barbershop quartets did not entirely fizzle out, but vaudeville (which was the primary outlet for barbershop quartets) was on the wane in influence by 1938.  The Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. was founded on 11 April 1938 in Tulsa, Oklahoma, by Owen Clifton Cash and Rupert Hall.[13]  Two months later, the first barbershop chapter in St. Louis, St. Louis No. 1, was founded.[14]  The first convention of S.P.E.B.S.Q.S.A. was held in Tulsa, Oklahoma, the first week of June in 1939.[15]  The fledgling society had its first controversy at its annual convention in 1941, held at the Coronado Hotel in St. Louis.  A quartet from New York was rejected due to being African American.  Owen Cash’s official note on 27 June 1941 to James V. Mulholland, Director of Recreation of the Department of Parks for the City of New York, stated that the board of directors of S.P.E.B.S.Q.S.A. decided in 1940 “that to keep down any embarrassment we ought not to permit colored people to participate.”  New York City Park Commissioner Robert Moses replied to Cash, “that if American ballads of Negro origin are to be ruled out of barber shop singing, most of the best songs we have will be blacklisted.  There was a man named Stephen Foster who never hesitated to acknowledge his debt to the Negroes for the best of his songs.”  Moses and New York Governor Alfred E. Smith left the S.P.E.B.S.Q.S.A. over the banning of this quartet to represent New York at the barbershop music convention in St. Louis.[16]  Cash thought blacks should form their own auxiliary organization of barbershop singers.[17]  The ban on black membership in S.P.E.B.S.Q.S.A. was lifted in 1963.[18]

                While barbershop harmony was striking chords in St. Louis, the town of St. Charles did not have its own barbershop chapter. However, barbershop music was not without its cameo appearances. The top KMOX Barber Shop Male Quartet performed at St. Charles High School in St. Charles on 10 February 1944 (St. Charles Cosmos-Monitor, 19 January 1944, p. 3, Newspapers, accessed 4 July 2023). The St. Charles Cosmos-Monitor invited its readers to join the S.P.E.B.S.Q.S.A. if they were “males, free, white, twenty-one” and “can sing–and those who can’t” (“St. Charles Citizens Invited to Join Barber Shop Quartet,” St. Charles Cosmos-Monitor, 16 August 1944, p. 5, Newspapers, accessed 4 July 2023). All Saints’ Dramatic Club in St. Peters performed at Francis Howell High School in Weldon Spring, Missouri, in 1944. The club featured its own barbershop quartet! (St. Charles Cosmos-Monitor, 8 November 1944, p. 5, Newspapers, accessed 4 July 2023).  A barbershop quartet affiliated with S.P.E.B.S.Q.S.A. performed at the Kiwanis Club’s meeting at the V.F.W. Hall at Fourth and Jefferson streets in 1950 (“Ray Barklage Heads Kiwanis,” St. Charles Banner-News, 19 January 1950, p. 1, Newspapers, accessed 4 July 2023). Attempts to start a barbershop chapter in St. Charles seem to have begun after World War II.  The St. Louis and Clayton chapters of S.P.E.B.S.Q.S.A. performed at the V.F.W. Hall in St. Charles at a meeting in view of creating a St. Charles chapter in 1950.  City Councilman Harold H. Linhoff was elected temporary chairman. [19]  Dr. Lustig of Lindenwood College was selected as musical director for the chapter two weeks later.[20] The Friedens 4-H Club and Extension Club entertained about eighty people with a performance that included a barbershop quartet in 1951 (St. Charles Cosmos-Monitor, 4 April 1951, p. 4, Newspapers, accessed 4 July 2023).  A second attempt to found a chapter was spearheaded by Ted Huesemann of St. Charles in 1958, but this attempt also failed.[21]  Apparently, there was not enough interest and St. Charles still did not have a chapter. A barbershop quartet performed at a picnic in O’Fallon, Missouri, put on as a benefit for playground improvement at the O’Fallon ballpark, which was located just east of the Forest Park subdivision, in 1960 (O’Fallon [MO] Community News, 28 July 1960, p. 1, Newspapers, accessed 4 July 2023). Although barbershop quartets were now appearing in St. Charles County, it was not until 1963 when a lasting barbershop chapter was formed.

The St. Charles Chapter of the S.P.E.B.S.Q.S.A., Inc. was founded in 1963, when a call went forth with the colorful introductory statement: “Calling all bathtub baritones.”  With that, barbershop harmony officially arrived in St. Charles to stay.


[1] Decatur (IN) Daily Democrat, 8 April 1892, Newspaper Archive, accessed 27 February 2018

[2] Ancestry.com. 1900 United States Federal Census [database on-line]. Provo, UT, USA: Ancestry.com Operations Inc, 2004.  Accessed 1 July 2020

[3] https://search.ancestry.com/cgi-bin/sse.dll?viewrecord=1&r=an&db=FindAGraveUS&indiv=try&h=148058849, accessed 1 July 2020

[4] Scranton (PA) Republican, 16 May 1893, Newspapers.com, accessed 27 February 2018

[5] Atchison (KS) Weekly Graphic, 29 April 1893, Newspapers.com, accessed 17 December 2018

[6] St. Louis Post-Dispatch, 4 November 1894, Newspapers.com, accessed 17 December 2018

[7] Buffalo (NY) Enquirer, 13 June 1893, Newspapers.com, accessed 1 July 2020

[8] Boston Globe, 12 June 1898, Newspapers.com, accessed 1 July 2020

[9] Kansas City (MO) Star, 7 May 1899, Newspapers.com, accessed 1 July 2020

[10] Indianapolis (IN) Freeman, 8 December 1900, Google News, accessed 11 July 2020

[11] St. Charles (MO) Daily Banner-News, 13 April 1904, on microfilm at Kathryn Linnemann Branch, St. Charles City-County Library District

[12] St. Louis Star-Times, 21 November 1914, Newspapers.com, accessed 31 July 2019

[13] https://www.barbershop.org/about/history-of-barbershop/the-history-of-the-society, accessed 2 July 2020

[14] St. Louis Post-Dispatch, 16 June 1938, Newspapers.com, accessed 21 November 2019

[15] Hutchinson (KS) News, 3 June 1939, Newspaper Archive, accessed 27 February 2018

[16] “Negro Singers Out, Smith, Moses Quit,” New York Times, 3 July 1941, ProQuest Newspapers, accessed shortly after the article based on this newspaper account appeared in The Harmonizer.

[17] “Al Smith Takes Another Walk Because Singers Bar Negroes,” St. Louis Globe-Democrat, 3 July 1941

[18] Dr. Jim Henry, “Roots of Barbershop Harmony,” The Harmonizer LXI, no. 4 (July 2001):  15

[19] “Councilman Heads Male Sing Group,” St. Charles Banner-News, 21 March 1950, KL-SCCCLD microfilm

[20] “SPEBSQSA Meeting,” St. Charles Banner-News, 3 April 1950, KL-SCCCLD microfilm

[21] “SPEBSQSA?” St. Charles Daily Banner-News, 26 May 1958, KL-SCCCLD microfilm

Precursors to Barbershop Music

NOTE:  This is part one of a series of articles based on the original, which was published at www.aoh.org in October 2013. The material below has been revised and updated by the author beginning in July 2020 to reflect new research and developments that have occurred since the fiftieth anniversary of the St. Charles Chapter of the S.P.E.B.S.Q.S.A. (Barbershop Harmony Society). In 2023, the chapter changed its name to Harmony STL.  Unless otherwise indicated, all pictures are from the archives of the Ambassadors of Harmony.

            You are standing on a set of risers; your heart is pumping.  The crowd starts to chant “A-O-H,” “A-O-H.”  The announcement begins … “Representing the Central States District …” The rest is muffled by the crowd cheering in anticipation of 160 men who are about to perform two songs.  Suddenly, the curtain rises, and you are greeted by a sea of people and a set of tables where there are seated fifteen men about to judge your performance.  The two songs go by quickly.  Then, at the last chord of the last song, the crowd suddenly gets out of their seats and cheers and claps.  The curtain falls and the cheering eventually dies down.  You catch your breath as you walk off the stage.  This was my experience when I first competed with the Ambassadors of Harmony in 2004 at the International Barbershop Convention in Louisville, Kentucky.  This was the first gold medal earned by the Ambassadors of Harmony; but the road to gold at the International Barbershop Convention had many twists and turns.

            The Ambassadors of Harmony is the men’s chorus of the Harmony STL (formerly St. Charles) Chapter of the Barbershop Harmony Society.  The BHS was originally founded in 1938 as the Society for the Preservation and Encouragement of Barber Shop Quartet Singing in America, Inc. (S.P.E.B.S.Q.S.A.) [1] The roots for the tuning of barbershop chords go back to Pythagorean tuning and just intonation.  In both cases, ratios are used to determine pitches.  The proper ring is achieved by locking chords.[2] Barbershop harmony appears to have roots in the development of quartet clubs in the United Kingdom and the United States in the early nineteenth century.  As early as 1836, the Blackburn Quartetto Club of Blackburn, England, was providing performances.[3]  The first quartet club in the United States appears to have been the Boston Quartette Club, which performed in Brattleboro, Vermont, on 29 August 1839.  They performed several classical works for their audience.[4]  Early quartet clubs sang classical music, but that changed as the United States began to develop its own popular music.  The music of black Americans was celebrated in the 1847 publication, The Ethiopian Glee Book, a book written for quartets.[5]  The book contained songs sung by the Christy Minstrels “with many other popular Negro melodies, in four parts, arranged for quartet clubs.”[6]  The quartet clubs appear to have been groups of amateur singers, such as those who sang in the Quartette Club of Madison, Indiana in 1852.[7]  In St. Louis, a group of blacks formed their own quartet club shortly after the end of the Civil War.  They were hired to sing love songs to a young black lady, but their singing attracted the attention of several other black ladies in the neighborhood.[8]  The hiring of black quartets by blacks and whites was apparently more and more common in the 1870s.  “The latest agony in the serenading line is to employ a negro quartette to do the singing and playing while the ‘feller’ places himself near the window to catch the coquet as it is gently dropped by his fair one,” lamented the Wichita (KS) Eagle in 1874.[9]  The newspaper in Austin, Texas, had a more favorable opinion of the black quartet that performed in their office in 1883:  “The Statesman office was favored with a serenade by the negro quartette of ‘A Mountain Pink’ company last night.  They are excellent singers and the songs highly pleased all.”[10]  The Harrison and Morton Quartette performed at a Republican campaign rally in Coronado, California, in 1888.[11]  Another black quartet performed at the city jail in St. Joseph, Missouri, that year.[12]

            The influence of African Americans on barbershop music has been extensively documented by Lynn Abbott in his article “Play That Barber Shop Chord.”[13]  According to Abbott, James Weldon Johnson (1871-1938) wrote: “In the days when such a thing as a white barber was unknown in the South, every barber shop had its quartet, and the men spent their leisure time playing on the guitar… and ‘harmonizing.’ I have witnessed some of these explorations in the field of harmony and the scenes of hilarity and backslapping when a new and rich chord was discovered. There would be demands for repetitions and cries of, ‘Hold it! Hold it!’ until it was firmly mastered. And well it was, for some of these chords were so new and strange for voices that, like Sullivan’s Lost Chord, they would have never been found again except for the celerity in which they were recaptured. In this way was born the famous but much abused ‘barber-shop chord.’”[14]

            An example of the type of barbershop music that Johnson might have heard can be found in renowned ragtime pianist Scott Joplin’s (1868-1917) opera Treemonisha.[15]  Joplin had his own touring quartet, The Texas Medley Quartette, an all-African American quartet that performed throughout the United States.  In 1893, the group consisted of Pleasant Jackson, first tenor; Scott Joplin, second tenor; Richard Denson, baritone; and Grant Miner, bass.  They stopped by the office of the Cedar Rapids (IA) Gazette and performed for the employees of the newspaper in August 1893.[16]  They received rave reviews in St. Paul, Minnesota, when they came to town there to perform, “The Texas Medley quartette is in town, and is giving some splendid vocal music in the public buildings and in office buildings having large courts.”[17]  In 1894, it was reported that the quartet had “won a wide reputation through the west during the past six years.”[18]  The influence of barbershop on ragtime can be seen by some of the chord progressions and constructions in Joplin’s most famous rag, “Maple Leaf Rag,” and in his opera, “Treemonisha.”  Barbershop also influenced another important American music genre, jazz.  In 2019, Dr. Vic Hobson wrote Creating the Jazz Solo:  Louis Armstrong & Barbershop Harmony, in which Hobson argues that Armstrong’s experience in quartet singing influenced the type of jazz Armstrong later played.[19]  This led to a discussion involving Hobson, Dr. David Wright, and the quartet Crossroads at the Satchmo Summer Fest held by the French Quarter Festivals, Inc. in New Orleans, Louisiana on Saturday, 3 August 2019.[20]  The impact of quartet singing on the music of Scott Joplin and Louis Armstrong points toward barbershop music as being at the center of the development of both ragtime and jazz.[21]


[1] https://www.barbershop.org/about/history-of-barbershop/the-history-of-the-society, accessed 1 July 2020

[2] http://www.medieval.org/emfaq/harmony/pyth2.html, accessed 1 August 2020; http://www.kylegann.com/tuning.html, accessed 1 August 2020

[3] Blackburn [UK] Weekly Standard and Express, 1 June 1836, Newspapers.com, accessed 19 December 2018

[4] Vermont Phoenix (Brattleboro, VT), 30 August 1839, Newspapers.com, accessed 19 December 2018

[5] Hartford (CT) Courant, 17 November 1847, Newspapers.com, accessed 19 December 2018

[6] The Ethiopian Glee Book (Boston, MA:  Elias Howe, 1848), title page; https://archive.org/details/ethiopiangleeboo1848howe, accessed 11 July 2020

[7] Madison (IN) Daily Madisonian, 26 February 1852, Newspaper Archive, accessed 19 December 2018

[8] Hartford (CT) Courant, 22 August 1866, Newspapers.com, accessed 17 December 2018

[9] Wichita (KS) Eagle, 3 September 1874, Newspapers.com, accessed 17 December 2018

[10] Austin (TX) American-Statesman, 13 October 1883, Newspapers.com, accessed 17 December 2018

[11] Coronado (CA) Mercury, 4 September 1888, Newspaper Archive, accessed 17 December 2018

[12] St. Joseph (MO) Gazette-Herald, 1 July 1888, Newspapers.com, accessed 17 December 2018

[13] Lynn Abbott, “Play That Barber Shop Chord,” American Music (Fall 1992), https://composerjude.com/wp-content/uploads/2016/02/Play-That-barbershop-Chord.pdf#:~:text=%22Play%20That%20Barber%20Shop%20Chord%22%3A%20A%20Case%20for,of%20barbershop%20harmony%20is%20couched%20in%20a%20roman-, accessed 9 July 2020

[14] James Weldon Johnson and J. Rosamond Johnson, American Negro Spirituals (New York:  Viking Press), 35-36, quoted in Abbott

[15] David Wright, “The African-American Roots of Barbershop (and Why It Matters),” Harmonizer LXXV, no. 1 (Jan-Feb 2015):  12, http://harmonizer.s3.amazonaws.com/Harmonizer_vol75_no1_janfeb2015.pdf, accessed 9 July 2020; for a clip of this, watch https://www.youtube.com/watch?v=lMMRGcM-pvk, 8 January 2015

[16] Cedar Rapids (IA) Gazette, 22 August 1893, Newspapers.com, accessed 29 July 2020

[17] St. Paul (MN) Globe, 2 November 1893, Newspapers.com, accessed 29 July 2020

[18] Marshfield News and Wisconsin Hub (WI), 12 April 1894, Newspapers.com, accessed 29 July 2020; for more information, see https://syncopatedtimes.com/scott-joplins-forgotten-parlor-songs/, accessed 29 July 2020

[19] Neal Siegal, review of Creating the Jazz Solo:  Louis Armstrong and Barbershop Harmony in The Syncopated Times, 25 February 2019, https://syncopatedtimes.com/creating-the-jazz-solo-louis-armstrong-barbershop-harmony/, accessed 31 July 2020

[20] https://www.youtube.com/watch?v=bI4K6hrzICY, accessed 31 July 2020

[21] Further development is needed on the ragtime and barbershop connection, but that is beyond the purview of this article

Sage Chapel Cemetery and Rev. Jefferson Franklin Sage

NOTE: This is an excerpt from a larger research project concerning Sage Chapel Cemetery in O’Fallon, Missouri.

                The name Sage Chapel has been much debated.  The name may have come from the sage fields that grew behind the church near Sonderen and Pitman.[1]  Naming patterns of African Methodist Episcopal churches of the time suggest this might not be the best answer.  Several A.M.E. churches in St. Charles County were named after individuals.  In St. Charles, there is St. John’s A.M.E. named after the Apostle John.  In Wentzville, there is Grant Chapel (probably named after Abram Grant, who was elected bishop of the African Methodist-Episcopal Church in 1888).[2]  In Foristell, there is Smith Chapel (probably named after Rev. M. E. Smith).[3]  Cravens Chapel in O’Fallon was named after a Mr. Craven (see earlier).  Sage Chapel was most likely named for Rev. Jefferson Franklin Sage.  Sage was born on 1 August 1854 in Warren County, Missouri, to Peter and Harriet Sage.[4]  His first wife was Eliza or “Lizzie.”[5]  Jefferson and Lizzie Sage were living in 1876 in Montgomery County, Missouri.  Their children at the time were Dick, age 4, and John, age 1.[6]  Lizzie and Dick Sage died before 1880.  Jefferson “Jeffrey” remarried in 1879 to Mary and the family moved to St. Charles, Missouri, by 1880.  “Jeffrey” worked at the car shops of the St. Charles Car Manufacturing Company.  At the time of the census, he and Mary had an infant son who had not been named yet.[7]  Jefferson Sage was an itinerant minister who preached in the circuit extending from St. Charles to Jonesburg, roughly covering a route now covered by Interstate 70, in 1886 and 1888.[8]  The many moves of Rev. Sage are best explained by the selection of ministers in the African Methodist Episcopal Church.  The hierarchical system of the A.M.E. Church starts with bishops on the top and presiding elders acting like middlemen between the bishops and the congregations.  “At the end of an Annual Conference year, the Presiding Elder reports to the Bishop at the Annual Conference and makes recommendations for pastoral appointments.  Pastors receive a yearly appointment to a charge (church), on the recommendation of the Presiding Elder and with the approval and final appointment of the Bishop. The pastor is in full charge of the Church and is an ex-official member of all boards, organizations and clubs of that Church.”[9]  Sage moved to Moberly, Missouri by 1892, where he met with other colored ministers of the African Methodist Episcopal Church of northern Missouri to help establish the Western Recorder, published by the Western Publishing Company, a joint stock company formed by colored people.  Rev. J. F. McDonald of Paris, Missouri, was chosen editor and Rev. J. F. Sage of Moberly was chosen as business manager.[10]  Sage sent a card with a message to the editor of the Sedalia Democrat in February 1893 in which he condemns the actions of one John A. Hughes, who was shot at Moberly for insulting a white woman.  Among Sage’s comments, “The sooner southern negroes know what Missouri is sooner, they will learn to avoid trouble.  Such negroes as John Hughes are the greatest detriment our race has to its progress and the sooner they are in judgment, the better for the country and the race.”[11]

                In November 1893, Sage left Missouri for a new pastorate at the A.M.E. Church in Lawrence, Kansas.  He returned to Moberly to move his family to Lawrence but was hurt in a railway accident near Moberly.[12]  Sage celebrated his first Thanksgiving at Lawrence by preaching a vegetable sermon.[13]  Sage and his family are found in the Kansas State Census of 1895 as residents of Lawrence.[14]  While in Lawrence, Sage lost a child to diphtheria on 6 November 1894.[15]  He was pastor of St. Luke A.M.E. Church in Lawrence in May 1895.[16]  By December, Sage had a new pastorate, this time at St. Paul’s A.M.E. Church in Ottawa, Kansas.[17]  Rev. J. F. Sage opened the Kansas Republican State Convention in Wichita with prayer on 10 March 1896.[18]  He helped organize the Colored Charity Society in Ottawa, Kansas in March 1896.[19]  The A.M.E. Church transferred Rev. Sage from Ottawa, Kansas, to Lincoln, Nebraska on 26 September 1896.[20]  His new church was Quinn Chapel A.M.E. Church.[21]  In 1897, Sage moved to Joplin, Missouri.  He spoke at a celebration of the freeing of slaves in the West Indies and commemoration of the Emancipation Proclamation on 4 August 1897 in Baxter Springs, Kansas.[22]  Rev. J. F. Sage preached at Burns Chapel in Kansas City the evening of 19 September 1897.[23]  “Jeffrey” Sage and his family returned to Ottawa, Kansas, where they were living at the time of the 1900 U.S. Census.[24]  Rev. J. F. Sage traveled to Sedalia, Missouri, to conduct revival services there in 1901.  “He reported eighteen additions to the Colored Baptist Church of that city as a result of the meeting.”  While in Sedalia, Sage received news that two of his children had come down with smallpox at the family residence in Ottawa, Kansas.[25]  He preached the annual sermon to the Daughters of the Tabernacle, a colored order, at the A.M.E. church in Ottawa on 16 June 1901.  By this time, Sage had moved from Ottawa to Jefferson City, Missouri.[26]  Rev. J. F. Sage gave the invocation at a graduation ceremony at the Lincoln Institute in Jefferson City a few days later.[27]  In October, Sage was listed as a resident of Boonville, Missouri, who spent a week visiting his family in Topeka, Kansas.[28]  Sage preached an evening message at the C.M.E. church in Sedalia on 28 September 1902.[29]  Still a resident of Boonville, Sage attended the forty-ninth annual A.M.E. convention at St. Paul Chapel A.M.E. Church at the corner of Leffingwell and Lawton Avenue in St. Louis.[30]  Sage founded an A.M.E. church in Higginsville, Missouri, where he moved in 1904.[31]  Sage’s wife Mary died in 1905, before the Kansas State Census.  The family moved again in 1905, this time to Lawrence, Kansas.[32]  At the end of March, Sage preached the annual sermon for the Knights of Pythias and Court of Calanthe in Lawrence.[33]  Sage did not waste time finding someone as a stepmother for the remaining children in the home.  He married for the third time on 20 July 1905 in Lawrence to Mrs. Belle Jeans.[34]  In 1906, the conference moved him (still a general practice in today’s Methodist church) to Brown’s Chapel A.M.E. church in Parsons, Kansas.[35] Sage was moved again, this time to Wayman Chapel A.M.E. Church at Third and Lowman streets in Fort Scott, Kansas.[36]  In 1911, Rev. Jefferson F. Sage was living at 200 Lexington Avenue in Kansas City and was the pastor of St. Paul A.M.E. Church there.[37]  He is listed at the same address in Independence, Missouri in 1912.[38]  He is listed at the same address in the Kansas City, Missouri, directory in 1913.[39]  Sage and his family moved to St. Louis in 1913 and lived at 3016 Market Street.[40]  They returned to Kansas City, Missouri, in 1915, when he became pastor of Ward Chapel A.M.E. Church in Kansas City.[41]  His picture was published in the Kansas City Sun on 11 May 1918.[42]

In 1920, Sage and his fourth wife Beulah moved to Lexington, Missouri.[43]  Sage was ill in May 1922 and could not preside over the quarterly meeting and conference in Joplin, Missouri for which he was supposed to serve as Presiding Elder.[44]  He died on 2 May 1922 in Lexington, Missouri of acute pulmonary tuberculosis.  His remains were taken to Lawrence, Kansas and interred there.[45]


[1] Robert R. Morris, “O’Fallon’s Slave Legacy,” O’Fallon:  A Good Place to Live (Virginia Beach, VA:  Donning Publishers, 2006), 105

[2] https://blackthen.com/abram-grant-former-slave-19th-bishop-m-e-church-florida/, accessed 31 August 2020

[3] Dorris Keeven-Franke, “Preacher Jefferson Franklin Sage,” 16 October 2017, https://stcharlescountyhistory.org/2017/10/16/preacher-jefferson-franklin-sage/, accessed 30 August 2020

[4] 1900 U.S. Census, Ottawa Ward 2, Franklin, KS, www.ancestry.com, accessed 29 August 2020; https://www.sos.mo.gov/images/archives/deathcerts/1922/1922_00016839.PDF, accessed 31 August 2020

[5] Dorris Keeven-Franke, “Preacher Jefferson Franklin Sage,” 16 October 2017, https://stcharlescountyhistory.org/2017/10/16/preacher-jefferson-franklin-sage/, accessed 30 August 2020

[6] 1876 Missouri State Census, Township 47, Montgomery, MO, Missouri State Census Collection, 1844-1881, www.ancestry.com, accessed 30 August 2020

[7] 1880 U.S. Census, St. Charles, St. Charles, MO, Roll 714, Page 72A, ED 201, Image 145, FHL Film 1254714, www.ancestry.com, accessed 30 August 2020

[8] Keeven-Franke, “Preacher Jefferson Franklin Sage,” she cites an African Methodist Episcopal Church book donated by Wardell Greer Reed to the St. Charles County Historical Society in 2010

[9] https://www.ame-church.com/our-church/our-structure/, accessed 31 August 2020

[10] Keytesville Chariton Courier (MO), 15 July 1892, Newspaper Archive, accessed 30 August 2020

[11] “Sensible Talk:  A Negro Preacher on the Hughes Case,” Sedalia (MO) Democrat, 22 February 1893, Newspapers.com, accessed 30 August 2020

[12] Lawrence (KS) Daily World, 10 November 1893, Newspapers.com, accessed 30 August 2020

[13] Lawrence (KS) Daily World, 30 November 1893, Newspapers.com, accessed 30 August 2020

[14] 1895 Kansas State Census, Lawrence Ward 3, Douglas, KS, www.ancestry.com, accessed 30 August 2020

[15] Lawrence (KS) Daily World, 6 November 1894, Newspapers.com, accessed 30 August 2020

[16] Lawrence (KS) Daily World, 25 May 1895, Newspapers.com, accessed 30 August 2020

[17] Ottawa (KS) Daily Republic, 6 December 1895, Newspapers.com, accessed 30 August 2020

[18] Topeka (KS) State Journal, 10 March 1896, Newspapers.com, accessed 30 August 2020

[19] Ottawa (KS) Daily Republic, 28 March 1896, Newspapers.com, accessed 30 August 2020

[20] Ottawa (KS) Daily Republic, 26 September 1896, Newspapers.com, accessed 30 August 2020

[21] Lincoln (NE) Journal Star, 24 October 1896, Newspapers.com, accessed 30 August 2020

[22] Baxter Springs (KS) News, 10 July 1897, Newspapers.com, accessed 30 August 2020

[23] Kansas City (MO) Journal, 18 September 1897, Newspapers.com, accessed 30 August 2020

[24] 1900 United States Census, Ottawa Ward 2, Franklin, KS, Page 10A, Roll 480, ED 86, FHL Film 1240480, www.ancestry.com, accessed 30 August 2020

[25] Sedalia (MO) Democrat, 10 February 1901, Newspapers.com, accessed 30 August 2020

[26] Ottawa (KS) Evening Herald, 17 June 1901, Newspapers.com, accessed 30 August 2020

[27] Topeka (KS) Plaindealer, 21 June 1901, Newspapers.com, accessed 30 August 2020

[28] Topeka (KS) Plaindealer, 25 October 1901, Newspapers.com, accessed 30 August 2020

[29] Sedalia (MO) Democrat, 28 September 1902, Newspapers.com, accessed 30 August 2020

[30] St. Louis (MO) Palladium, 3 October 1903, Newspapers.com, accessed 31 August 2020

[31] Sedalia (MO) Weekly Conservator, 29 July 1904, Newspapers.com, accessed 31 August 2020

[32] Kansas State Census, 1 March 1905, Kansas State Census Collection, 1855-1925, www.ancestry.com, accessed 31 August 2020

[33] Topeka (KS) Plaindealer, 31 March 1905, Newspapers.com, accessed 31 August 2020

[34] Topeka (KS) Plaindealer, 21 July 1905, Newspapers.com, accessed 31 August 2020

[35] Topeka (KS) Plaindealer, 12 January 1906, Newspapers.com, accessed 31 August 2020; Parsons (KS) Daily Sun, 26 September 1907, accessed 31 August 2020

[36] Fort Scott (KS) Daily Tribune and Monitor, 29 February 1908, Newspapers.com, accessed 31 August 2020; Topeka (KS) Western Index, 7 October 1910, accessed 31 August 2020

[37] 1911 Kansas City, MO, Directory, U.S. City Directories, 1822-1995, www.ancestry.com, accessed 31 August 2020

[38] 1912 Independence, MO, Directory, U.S. City Directories, 1822-1995, www.ancestry.com, accessed 31 August 2020

[39] 1913 Kansas City, MO, Directory, U.S. City Directories, 1822-1995, www.ancestry.com, accessed 31 August 2020

[40] 1913 and 1914 St. Louis, MO, directories, U.S. City Directories, 1822-1995, www.ancestry.com, accessed 31 August 2020

[41] Kansas City (MO) Sun, 13 November 1915, Newspapers.com, accessed 31 August 2020

[42] Kansas City (MO) Sun, 11 May 1918, Newspapers.com, accessed 31 August 2020

[43] 1920 U.S. Census, Lexington Ward 3, Lafayette, Missouri, Roll T625_931, Page 4A, ED 117, Image 1000, www.ancestry.com, accessed 31 August 2020

[44] Kansas City (KS) Advocate, 12 May 1922, Newspapers.com, accessed 31 August 2020

[45] https://www.sos.mo.gov/images/archives/deathcerts/1922/1922_00016839.PDF, accessed 31 August 2020

719 South Main Street – The “French House”

Have you ever wondered what the oldest building in St. Charles, Missouri, is? Maybe you have not, but the debate has raged on several posts on Facebook. One such candidate routinely mentioned is 719 South Main Street. It is billed as a French colonial duplex that dates from about 1790. Karen Lewis and Larry and Laura Henderson, former owners, claimed in 2006 that a wood sample taken from a main support beam was dated 1783.[1] So, the building must date from 1783, right? Is this building really this old? Do all supporting historical documents point us in that direction?

1.  Historic American Buildings Survey, Theodore LaVack, Photographer. September, 1936. - Chanter House, Saint Charles, St. Charles County, MO
1. Historic American Buildings Survey, Theodore LaVack, Photographer. September, 1936. – Chanter House, Saint Charles, St. Charles County, MO (loc.gov); Thanks to Richard Walker for identifying this as 719 S. Main Street

The original owner of this block (City Block 25) appears to be Louis Blanchet, the founder of St. Charles, the subject of my first article on this website. The block appears to have passed to Blanchet’s son-in-law, Etienne Pepin after Blanchet’s death in 1793. A year later, Pepin transferred this block to Toussaint Cere.  The deed, which is part of the St. Charles Archive at the Missouri Historical Society in St. Louis, mentions the property bordering on a road which separates the property from Pierre Troge and fronts on the first Main Street.  There is a house on the property at the time, but did the building survive?[2]

In 1802, Block 25 was sold by Toussaint Cere to F. X. Prieur.[3]  Four years later, Noel Antoine Prieur and his wife, Louise Monique LeJeune, deeded all of Block 25 to Manuel Andre Roque for $500.  On the property were four buildings, including a house, a chicken coop, and a mill.  The property bordered on streets that separated it from the lands of Pierre Troge, Jean Coons, and Joseph Tayon and included a creek.[4]  The chain of title up to this point is bolstered by testimony of Mackay Wherry, who claimed that Cere occupied this property on 20 December 1803 and prior to that date and that Cere sold it to “Prior” and “Prior” to Manuel A. Roque.  Theodore Hunt, U.S. Recorder of Land Titles, confirmed Block 25, bounded north by Perry Street, east by Main Street, south by Water Street, and west by Second Street, to the legal representatives of Toussaint Cere on 15 November 1825.[5]  This is shown on the original plat of St. Charles.

In 1817, Uriah J. Devore and David McNair purchased this block from Roque.  They also acquired the property from Pierre Blanchette (along with other property near Marais Temps Clair) for $200 at the same time.  At that time, the cross streets did not have names.[6]  McNair moved to Upper Mississippi Land Mines, Illinois, where he was residing when he sold his interest in the property (and in Kental’s Lime Kiln or quarry) to Stephen Hempstead in 1828 for $160.[7]  Hempstead agreed to pay $500 to Thomas Howell in 1829 but did not pay on time.  Howell successfully sued and Hempstead’s property was seized by William N. Fulkerson, sheriff of St. Charles County.  Hempstead’s property in Block 25 was purchased by William Eckert in 1830.[8]

The buildings on the property described in 1806 were apparently torn down by Devore and McNair.  Why do I say this?  In 1818, the former Roque property is described in three separate deeds (all dealing with 625 S. Main Street, which is across Perry Street from Block 25) as “vacant.”[9]  It is described as vacant in 1831.[10]  In 1834, the former Roque property was described in a lawsuit over 625 S. Main Street as “a vacant lot.”[11]  So, from at least 1818 to 1834, there were no buildings in Block 25 (the Roque property), which includes the site of today’s 719 South Main Street. It is not described as vacant in 1836.[12]

McNair and Devore appear to have been the first to subdivide Block 25.  McNair sold his half interest in the south half of Block 25 to Stephen Hempstead in 1828 (see above for reference) and Eckert purchased from the sheriff’s sale of Hempstead’s property a lot 120 feet by 300 feet in 1830 (see above for reference).  In 1840, Eckert sold a portion of the property fronting 80 feet on Main Street by 300 feet to Henry Kemper in exchange for five promissory notes to be paid by Kemper.  The deed notes that this is “the same lot on which the said Kemper has recently built his blacksmith shop.”[13]  The property remained under Henry Kemper’s ownership until his death.  His son, Adolph Kemper, was appointed executor of the estate, and deeded the property from the estate to himself in 1875.[14]  An 1884 deed of trust made by Adolph Kemper states that there were two houses on the property.[15]  Five years later, Adolph Kemper sold the same lot with the two houses for $1,350 to Herman Schemmer.[16]  Herman Schemmer’s will, dated 31 January 1896, divided this parcel into two parts.[17]  The Schemmer family continued to own 719 South Main Street until 1957.[18]

The chain of title for this property gets a bit murky in the 1960s and 1970s, but Archie Scott (1942-2007) purchased 719 South Main Street in 1976 from three owners.[19]  Scott, a Springfield, Illinois, native who moved to St. Charles in 1966 and became well-known as a local historic preservationist and as president of the South Main Preservation Society.  He had just finished the first of three rounds of preservation work on the Missouri, Kansas, and Texas Depot (originally built in January 1893 as the Missouri, Kansas, and Eastern Railroad Depot).[20]  Shortly after purchasing the building and lot of 719 South Main, Scott set to work to restore the building.  Scott discovered what he considered a candidate for the oldest French house in St. Charles.  “What makes working on this house a joy is that there is little conjecture regarding the original construction.  It reveals itself as being a Creole structure called Maison de Poteau en Terre (house with posts in the earth).”[21]  The appearance of the building today reflects the work Archie Scott had done to 719 South Main Street.  Prior to Scott’s ownership of 719, the address had been residential.  Laura (Schemmer) Kleinau lived in the house at least from 1906 to 1916.[22]  Carl Olsen lived here in the 1920s.[23]  Richard P. Norden lived here in the 1940s.[24]  Estel Williams was a resident in 1961.[25]  Ray L. Hunter lived at 719 S. Main Street in 1970.  He was a previous property owner and one of those who sold to Scott in 1976.[26]

Under Archie Scott’s ownership, the building transitioned from residential to commercial use.  Maxwell’s House Antiques was a tenant in 1980.[27]  Archie L. and Betty Scott sold 719 S. Main to Clay E. and Donna L. Hicklin in 1983.[28]  A new tenant moved in by 1984, Nature Loft.  Owned and operated by Kay Stross, Nature Loft sold women’s moccasins.[29]  The “French House” was included on a Main Street walking tour as part of the 1985 celebration of the Lewis and Clark rendezvous in St. Charles.[30]  In 1988, 719 S. Main was home to The Classic Shop.[31]  In 1991, Clay E. and Donna L. Hicklin sold the property to Karen M. Lewis and Larry and Laura Henderson.[32]

Karen Lewis and Laura Henderson opened Karen’s River Cabin at 719 S. Main Street in July 1991.[33]  The new business hosted dollmaker Marty Maschino during the 1992 Festival of the Little Hills.  Maschino signed her Attic Babies dolls during that festival and at 719 S. Main during the 1993 festival.[34]  Lewis and Henderson continued to operate Karen’s River Cabin at 719 S. Main until 2006, when they decided to sell the building and lot.  The sale of the building was advertised in the 8 September 2006 St. Charles edition of the St. Louis Post-Dispatch.[35]  Thomas J. Feldewerth purchased 719 S. Main Street in October 2006.[36]  From 2016 to 2019, 719 S. Main was home to Lady Bugs, which specialized in items for the home and garden.[37]  In 2020, it is home to the Hobby Girls, which carries handmade items, wooden roses, welcome signs, has a photo booth, and does heat press designs on shirts, onesies, and other products.[38]  It is also home to Main Street Wine Cellar.[39]

While 719 South Main Street may not be as old as advertised, it serves as a great example of German fachwerk architecture.  Fachwerk is defined as “The term used by German-speaking immigrants to America in the 18th and 19th centuries for half-timbered construction, i.e., the medieval system of braced timber framing of a house in which the  space between the structural timbers is usually filled with brick or filled with a nogging consisting of clay mixed with chopped straw to act as a binder; then the exterior sides of the walls were coated with plaster (although the timbers were often left exposed).”[40] (Thanks to Dorris Keeven-Franke for pointing out several examples of this architecture on Main Street.)  It may be that Henry Kemper, in building his blacksmith shop at this location, built on an earlier footprint of a building that was no longer extant at the time.  This may explain the dating of the wood sample from the main support beam.  Another hypothesis is that the main support beam was borrowed from an older building at the time of construction.  It is my contention, based on the evidence given in this article, that 719 South Main Street was not built in 1783.  The building in question was apparently constructed between 1834 and 1836 by Henry Kemper for his blacksmith shop.  The late Archie Scott deserves a huge thank you for preserving this building so it can still serve as home to a few of the businesses that call South Main Street home. Before and after pictures of this building can be seen at Preservation Journal.  While not the oldest building in St. Charles, 719 South Main Street still adds to the charm of Main Street in St. Charles, Missouri.


[1] Valerie Schremp Hahn, “For Sale:  This (Very) Old House on South Main Street, French Colonial Duplex May Date to 1783; it is listed at $269,000,” St. Louis Post-Dispatch, 9 September 2006, www.newspapers.com, accessed 27 December 2020

[2] Etienne Pepin to Toussaint Cere, 12 April 1794, St. Charles Archive, Document no. 221, Missouri Historical Society Library and Research Center, St. Louis, on microfilm at the Kathryn Linnemann Branch of the St. Charles City-County Library District, which I accessed in 2019. The branch was closed for COVID-19 and remains closed after flood damage revealed ongoing structural damage to the Linnemann Branch building.

[3] Carolyn Whetzel Hanke, “Block 25,” “South Main Research Notes from Title Abstracts,” John Dengler Collection 2006.017, St. Charles County Historical Society, St. Charles, Missouri

[4] St. Charles County Deed Book A, p. 189, 26 April 1806

[5] Theodore Hunt, Hunt’s Minutes III:  73, 15 November 1825, on microfilm at the Headquarters Branch of the St. Louis County Library System in Frontenac, Missouri

[6] St. Charles County Deed Book D, p. 313, 28 April 1817

[7] St. Charles County Deed Book H, p. 345, 4 August 1828

[8] St. Charles County Circuit Court records, Box 43, Folder 12, c54289_B043F012.pdf (mo.gov), accessed 27 December 2020; St. Charles County Deed Book H, p. 520, 8 October 1830

[9] St. Charles County Deed Book E, pp. 74 (23 February 1818), 76 (23 March 1818), and 377 (30 November 1818)

[10] St. Charles County Deed Book I-J, p. 347, 18 October 1831

[11] St. Charles County Circuit Court records, Box 50. Folder 43, c54492_B050F043.pdf (mo.gov), accessed 27 December 2020

[12] St. Charles County Deed Book L, p. 271, 18 June 1836

[13] St. Charles County Deed Book Q, p. 49, 18 April 1840

[14] St. Charles County Deed Book 20, p. 92, 7 October 1875

[15] St. Charles County Deed Book 35, p. 156, 15 January 1884

[16] St. Charles County Deed Book 43, p. 289, 21 February 1889

[17] St. Charles County Will Book 6, p. 58 and St. Charles County Deed Book 72, p. 557

[18] St. Charles County Deed Book 304, p. 502, 21 September 1957

[19] St. Charles County Deed Book 731, p. 516, 22 May 1976

[20] Some of this is from personal conversations with Archie Scott between 2005 and 2007; see Justin Watkins “Monument to Railroad History,” St. Charles County Heritage XXIX:  no. 2 (April 2011), 78-82 (the article is pages 75-84, but Archie Scott’s work is covered on pages 78 to 82)

[21] Esther Fenning, “Bringing Back the Good Old Days and Ways,” St. Charles Journal, 3 March 1977, Newspaper Archive, accessed 28 December 2020

[22] St. Charles city directories 1906, 1910, 1916, all at the St. Charles County Historical Society, some of which can now be accessed online at www.ancestry.com

[23] St. Charles city directories, 1920 and 1929, also at SCCHS

[24] St. Charles city directories, 1941, 1950, also at SCCHS

[25] 1961 St. Charles City Directory, at SCCHS

[26] 1970 St. Charles City Directory, at SCCHS, see earlier for reference to 1976 deed

[27] 1980 St. Charles City Directory at SCCHS

[28] St. Charles County Deed Book 975, p. 1558, 1 December 1983

[29] “Moccasin Search,” St. Louis Post-Dispatch, 10 January 1984, www.newspapers.com, accessed 28 December 2020

[30] “Walking Tour of Historic Buildings Saturday,” St. Louis Post-Dispatch, 16 May 1985, www.newspapers.com, accessed 28 December 2020

[31] 1988 St. Charles City Directory at SCCHS

[32] St. Charles County Deed Book 1379, p. 281, 1 June 1991

[33] St. Louis Post-Dispatch, 16 July 1991, www.newspapers.com, accessed 28 December 2020

[34] St. Louis Post-Dispatch, 20 August 1992 and 19 August 1993, www.newspapers.com, accessed 28 December 2020

[35] Valerie Schremp Hahn, “This (Very) Old House,” St. Louis Post-Dispatch, 8 September 2006, www.newspapers.com, accessed 28 December 2020

[36] St. Charles County Deed Book 4607, p. 1919, recorded 24 October 2006

[37] Lady Bugs, 719 S Main St, St. Charles, MO (2020) (globuya.com), accessed 28 December 2020

[38] The Hobby Girls, 719 S Main St, St. Charles, MO (2020) (globuya.com), accessed 28 December 2020

[39] Main Street Wine Cellar 719 S Main St, Saint Charles, MO 63301 – YP.com (yellowpages.com), accessed 28 December 2020

[40] Fachwerk | Article about fachwerk by The Free Dictionary, accessed 28 December 2020